Results 101 to 110 of about 207,820 (227)

The Study of Music Theatre in the Russian Context: Italian Contributions and the Current Debate

open access: yesStudi Slavistici
The two main narratives that coexist in Russian musicological literature – notably in the field of opera – fall within the branches of russkaja and zarubežnaja muzyka.
Anna Giust
doaj   +1 more source

Boston University Symphony Orchestra and Symphonic Chorus, April 7, 2008 [PDF]

open access: yes, 2008
This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, April 7, 2008 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue.
School of Music, Boston University
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Johann Gottlieb Naumann’s ‘Pria che all’amato bene’, Or the Dresden Trail at the Origins of the Polish Polonaise Aria

open access: yesMuzyka
This article is devoted to the polonaise aria ‘Pria che all’amato bene’, crucial to the history of opera in Warsaw under the reign of King Stanislaus Augustus, but which has been known hitherto solely from the text preserved in Warsaw prints and from ...
Jakub Chachulski
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La Finta Giardiniera, April 21-24, 2005 [PDF]

open access: yes, 2005
This is the concert program of the Boston University Opera Institute and Chamber Orchestra performance of La Finta Giardiniera by Wolfgang Amadeus Mozart with libretto by Giuseppe Petrosellini running Thursday, April 21 at 7:30pm, Friday, April 22 at 7 ...
School of Music, Boston University
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Camillo Everardi’s Pedagogical Repertoire at the Saint Petersburg Conservatory (1870–1888)

open access: yesСовременные проблемы музыкознания
This article, drawing on archival sources, attempts to reconstruct the pedagogical career of Camillo Everardi (1825–1899) at the Saint Petersburg Conservatory, where he taught for 18 years — from 1870 to 1888.
Alexandra B. Turintseva
doaj   +1 more source

A Survivor From Warsaw, November 21, 2011 [PDF]

open access: yes, 2011
This is the concert program of the A Survivor From Warsaw performance on Monday, November 21, 2011 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue, Boston, Massachusetts. Works performed were A Survivor from Warsaw, op.
School of Music, Boston University
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La tragédie de Carmen, the Fringe Festival 2003 [PDF]

open access: yes, 2003
This is the concert program of the La Tragédie de Carmen, The Fringe Festival 2003 performances on Friday, October 17, 2003 at 8:00 p.m., to Sunday, October 26, 2003 at 8:00 p.m., at the Boston University Theater, Studio 210, 264 Huntington Avenue ...
School of Music, Boston University
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Seriale, immersivo, industriale. Il barocco e l’invenzione del melodramma [PDF]

open access: yes, 2016
Archetypes of modernity are to be recognized in serial media developed during the first half of XVII century, when a proto-metropolitan social universe was evolving.
Capaldi, Donatella, Ragone, Giovanni
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Questenberg a Sporck – oddělené a nezávislé barokní hudební subkultury na Moravě a v Čechách?

open access: yesMusicologica Brunensia, 2011
The long time exposed question whether there were any connections between the Italian opera productions in Kuks and Prague (Bohemia), and Jaroměřice nad Rokytnou (Moravia), i.e.
Stanislav Bohadlo
doaj  

Boston Baroque with Il Furioso, April 14, 2009 [PDF]

open access: yes, 2009
This is the concert program of the Boston Baroque with Il Furioso performance on Tuesday, April 14, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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