Results 1 to 10 of about 1,214 (169)
Callaloo, 2001 Wörtlich „Büchlein“; bezeichnet zunächst nur die kleinformatigen Drucke zum Mitlesen während der Aufführung, später im übertragenen Sinn den Text von musikdramatischen Werken.
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O możliwościach czytania dzieła operowego
Przestrzenie Teorii, 2015 Elżbieta Nowicka’s book Zapisane w operze. Studia z historii i estetyki opery (Wydawnictwo Poznańskie 2012) [Written in opera. The studies from history and aesthetics of opera] is an attempt to read the ideas, myths and idioms of culture enshrined in ...
Anna Wypych-Gawrońska
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Strategie polskich tłumaczy włoskich librett w XVIII wieku
Między Oryginałem a Przekładem, 2013 Strategies in Translating Italian Librettos in 18th Century Poland Polish dramatic writers of the 18th century very often referred to the European repertoire. The majority of Polish dramas in fact were translations or adaptations of foreign texts. Among
Jadwiga Miszalska
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Written on Skin by George Benjamin: Aspects of the Plot and Libretto of the Opera Masterpiece of Our Days [PDF]
Художественная культураThe 20th century in the musical art was marked by relentless changes and experiments which we are still observing. Many things were questioned, including the possibility of the existence of such a traditional genre as opera in the current artistic ...
Saamishvili Natalia N.
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L’opéra italien à la cour de France : réception et adaptation d’un objet étranger (1645-1662)
Bulletin du Centre de Recherche du Château de Versailles, 2006 While the reception of Italian opera in seventeenth-century France is now well known, questions remain concerning the manner of this repertoire’s acclimation to the court.
Barbara Nestola
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Compositeur-librettiste : choix ou nécessité ?
Revue LISA, 2014 After World War II, an increasing number of composers came to write their own libretti. This paper inquires into the reasons why a composer should decide to make such a choice, considering the benefits but also the risks it involves.
Aude Ameille
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Między Oryginałem a Przekładem, 2015 Translator between idiolects. A few comments on dilemmas accompanying the translation of languages of opera’s characters The article is a case study.
Magdalena Pytlak
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Nicola Guerra (1865–1942) at the Budapest Opera: A Crucial Turning Point for Hungarian Ballet
Arts, 2023 This study aims to investigate the contribution that the Italian maestro Nicola Guerra brought to the Budapest Opera House Ballet (from 1902 to 1915), founding a corps de ballet capable of competing with the best corps de ballet of other international ...
Francesca Falcone
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Principles of libretto translation and problems of multimodal text interpretation
Russian Journal of Linguistics, 2022 The multimodal nature of texts to music involves the complex interaction of verbal, auditory, in some cases visual and other components, which determines the functioning of the textual unity.
Аlbina V. Boyarkina
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“Eteocle e Polinice” da Venezia a Modena. Variazioni operistiche sul mito tebano [PDF]
Parole Rubate, 2022 This article aims to examine the play in three acts Eteocle and Polinice, with a special focus on the comparison between the libretto related to the premiere in 1675 at the Teatro San Salvatore in Venice and the libretto related to the last performance ...
Ilaria Ottria
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