Historical approach to the opera’s libretto-theme in Italy from the end of the 16th century to the first Italian reform [PDF]
Muzikologija, 2021 The creators of opera in Italy at the end of the 16th century gave great importance to the choice of their subject matter in order to reproduce an overall work of art according to the archetype of ancient Greek tragedy.
Tziboula Areti +1 more
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The tale “Sleeping Beauty” by Ch. Perrault in the mirror of libretto by I. A. Vsevolozhsky and M. Petipa [PDF]
Известия Саратовского университета. Новая серия: Серия Филология, ЖурналистикаThe premiere of the world-famous Russian ballet “The Sleeping Beauty”, composed by P. I. Tchaikovsky, I. A. Vsevolozhsky and M. Petipa, took place on the stage of the Mariinsky Theatre on January 3, 1890, and became a significant event in the
Patrakova, Olga Nikolaevna
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Mozartowski Don Giovanni – przegląd wybranych przekładów librett i kwestia stylizacji
Między Oryginałem a Przekładem, 2015 Mozart’s Don Giovanni – a review of selected libretto translations and the question of stylization The paper presents selected translations of Don Giovanni’s libretto originally written by Lorenzo da Ponte (translations by: K. Konopacka/L.
Agnieszk Muszyńska‑Andrejczyk
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Literature and writers in the life and works of Stanisław Moniuszko
Edukacja Muzyczna, 2019 The present article concerns the place and significance of literature in the life and works of Stanisław Moniuszko, a composer who created different musico-literary genres, songs, operas, cantatas as well as stage music for dramas.
Anna WYPYCH-GAWROŃSKA
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O możliwościach czytania dzieła operowego
Przestrzenie Teorii, 2015 Elżbieta Nowicka’s book Zapisane w operze. Studia z historii i estetyki opery (Wydawnictwo Poznańskie 2012) [Written in opera. The studies from history and aesthetics of opera] is an attempt to read the ideas, myths and idioms of culture enshrined in ...
Anna Wypych-Gawrońska
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Strategie polskich tłumaczy włoskich librett w XVIII wieku
Między Oryginałem a Przekładem, 2013 Strategies in Translating Italian Librettos in 18th Century Poland Polish dramatic writers of the 18th century very often referred to the European repertoire. The majority of Polish dramas in fact were translations or adaptations of foreign texts. Among
Jadwiga Miszalska
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“Eteocle e Polinice” da Venezia a Modena. Variazioni operistiche sul mito tebano [PDF]
Parole Rubate, 2022 This article aims to examine the play in three acts Eteocle and Polinice, with a special focus on the comparison between the libretto related to the premiere in 1675 at the Teatro San Salvatore in Venice and the libretto related to the last performance ...
Ilaria Ottria
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Written on Skin by George Benjamin: Aspects of the Plot and Libretto of the Opera Masterpiece of Our Days [PDF]
Художественная культураThe 20th century in the musical art was marked by relentless changes and experiments which we are still observing. Many things were questioned, including the possibility of the existence of such a traditional genre as opera in the current artistic ...
Saamishvili Natalia N.
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L’opéra italien à la cour de France : réception et adaptation d’un objet étranger (1645-1662)
Bulletin du Centre de Recherche du Château de Versailles, 2006 While the reception of Italian opera in seventeenth-century France is now well known, questions remain concerning the manner of this repertoire’s acclimation to the court.
Barbara Nestola
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Callaloo, 2001 Wörtlich „Büchlein“; bezeichnet zunächst nur die kleinformatigen Drucke zum Mitlesen während der Aufführung, später im übertragenen Sinn den Text von musikdramatischen Werken.
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