Erik Satie’s Socrate (1918), Myths of Marsyas, and un style dépouillé [PDF]
In arguing that underneath the placid, 'stripped-down' style of Socrate there lurks a hidden violence, this essay does not focus on Satie's compositional process, documented in his notebooks; instead, it examines Socrate's performance history and the ...
Samuel Dorf
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Wörtlich „Büchlein“; bezeichnet zunächst nur die kleinformatigen Drucke zum Mitlesen während der Aufführung, später im übertragenen Sinn den Text von musikdramatischen Werken.
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Patient-reported outcomes with selpercatinib treatment in patients with RET-driven cancers in the phase I/II LIBRETTO-001 trial [PDF]
Sylwia Szymczak +2 more
exaly +2 more sources
L’opéra italien à la cour de France : réception et adaptation d’un objet étranger (1645-1662)
While the reception of Italian opera in seventeenth-century France is now well known, questions remain concerning the manner of this repertoire’s acclimation to the court.
Barbara Nestola
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To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640) [PDF]
In the newly popularized genre of opera during the seventeenth century, the allegorical prologue was commonly used as a preface from about 1600 to 1670, with no fewer than 98 opera prologues composed throughout Venice during this period. These prologues,
Reba Wissner
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Compositeur-librettiste : choix ou nécessité ?
After World War II, an increasing number of composers came to write their own libretti. This paper inquires into the reasons why a composer should decide to make such a choice, considering the benefits but also the risks it involves.
Aude Ameille
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We present LibrettOS, an OS design that fuses two paradigms to simultaneously address issues of isolation, performance, compatibility, failure recoverability, and run-time upgrades. LibrettOS acts as a microkernel OS that runs servers in an isolated manner.
Nikolaev, Ruslan +2 more
openaire +2 more sources
Nicola Guerra (1865–1942) at the Budapest Opera: A Crucial Turning Point for Hungarian Ballet
This study aims to investigate the contribution that the Italian maestro Nicola Guerra brought to the Budapest Opera House Ballet (from 1902 to 1915), founding a corps de ballet capable of competing with the best corps de ballet of other international ...
Francesca Falcone
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“Eteocle e Polinice” da Venezia a Modena. Variazioni operistiche sul mito tebano [PDF]
This article aims to examine the play in three acts Eteocle and Polinice, with a special focus on the comparison between the libretto related to the premiere in 1675 at the Teatro San Salvatore in Venice and the libretto related to the last performance ...
Ilaria Ottria
doaj
Principles of libretto translation and problems of multimodal text interpretation
The multimodal nature of texts to music involves the complex interaction of verbal, auditory, in some cases visual and other components, which determines the functioning of the textual unity.
Аlbina V. Boyarkina
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