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Reluctant Innovators: Dynamic Capabilities and Digital Transformation of Italian Opera Houses in the Pandemic Crisis

open access: yesAdministrative Sciences, 2023
This paper analyzes the impact of COVID-19 pandemic on the process of digitalization of Italian opera houses. Based on a conceptual framework provided by the literature on dynamic capabilities and digital transformation, the evidence collected from six ...
Nicola Bellini
exaly   +2 more sources

Italian-Style Opera Houses: A Historical Review

open access: yesApplied Sciences (Switzerland), 2020
Attending an opera involves a multi-sensory evaluation (acoustical, visual, and more), cultural background and other emotional parameters. The present work aims to investigate the historical development of Italian-style opera houses, from the 16th ...
Dario D'Orazio, D’Orazio Dario
exaly   +3 more sources

The sound diffusion in Italian Opera Houses: Some examples

open access: yesBuilding Acoustics, 2020
Soundfield diffuseness in rooms is considered a fundamental aspect of a high-quality room acoustics. Since early studies by Hodgson up to more recent studies of Shtrepi and Embrechts, it was shown that high levels of sound diffuseness could guarantee ...
Francesca Merli   +2 more
exaly   +2 more sources

Towards Italian Opera Houses: A Review of Acoustic Design in Pre-Sabine Scholars

open access: yesAcoustics, 2019
The foundation of architectural acoustics as an independent science is generally referred to Sabine’s early studies and their application. Nevertheless, since the 16th Century, a great number of authors wrote essays and treatises on the design of ...
Sofia Nannini   +2 more
exaly   +2 more sources

Fielding and Italian Opera

open access: yesJournal of English Studies, 2009
As his era’s most prolific writer of ballad operas, Henry Fielding knew music well and was particularly outspoken about Italian opera, the reigning London fashion of the day.
Charles Trainor
doaj   +3 more sources

Historical approach to the opera’s libretto-theme in Italy from the end of the 16th century to the first Italian reform [PDF]

open access: yesMuzikologija, 2021
The creators of opera in Italy at the end of the 16th century gave great importance to the choice of their subject matter in order to reproduce an overall work of art according to the archetype of ancient Greek tragedy.
Tziboula Areti   +1 more
doaj   +1 more source

Libretti d’opera italiani con traduzione e spiegazioni in cinese (Italian opera librettos with precise word by word explanation)

open access: yesMusica Docta, 2023
A series of Italian opera librettos with translations and explanations in Chinese is reviewed. The series is useful not only for singers, singing teachers and other opera professionals, but also for Chinese-speaking students of Italian.
Fabio Rossi
doaj   +1 more source

Copyrights and Creativity: Evidence from Italian Opera in the Napoleonic Age

open access: yesJournal of Political Economy, 2020
This paper exploits variation in the adoption of copyrights within Italy—due to the timing of Napoléon’s military victories—to investigate the causal effects of copyrights on creativity.
Michela Giorcelli, Petra Moser
semanticscholar   +2 more sources

The Final of the Singspiel Doktor and Apotheker by Dittersdorf and the Tradition ofthe Opera Buffa

open access: yesСовременные проблемы музыкознания, 2021
Doktor and Apotheker, a singspiel by Dittersdorf, is one of the most successful and popular operas of the 18th century. Many researchersclaim that the reason for its popularity is the “chain finale” that was first introduced by the composer ...
Svetlana B. Bubeeva
doaj   +1 more source

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