Results 31 to 40 of about 892,952 (209)

RECONFIGURING OPERA IN THE 19TH CENTURY: THE EVOLUTION AND TRANSFORMATIONS OF ARRIGO BOITO’S MEFISTOFELE [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
The evolution of Arrigo Boito’s opera Mefistofele is emblematic of the transformation of Italian opera at the end of the 19th century, reflecting the cultural dynamism of Milan.
SUCIU, ALEXANDRU
doaj   +1 more source

Toward a Sustainability Standard for Cultural Organizations: Borrowing From Tourism

Sustainable Development, EarlyView.
ABSTRACT Cultural organizations are increasingly engaging with sustainability, yet they lack a sector‐specific standard to guide and institutionalize efforts as long‐term strategies. This study reviews research papers on sustainability standards in the tourism sector, a field with greater experience with such tools, and horizontally borrows insights ...
Małgorzata Ćwikła, Leticia Labaronne
wiley   +1 more source

Early use of the reinforced concrete in the architecture of the Historicism in Austria–Hungary

Structural Concrete, EarlyView.
Abstract The study examines the early incorporation of reinforced concrete in the architecture of Historicism in Austria–Hungary. Spanning the late 19th to early 20th centuries, the research illuminates the period's stylistic pluralism and the transformative impact of reinforced concrete.
Éva Lovra, Zoltán Bereczki
wiley   +1 more source

Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760

Musicology Today, 2021
The phenomenon of the pasticcio oratorio was quite widespread in the Czech Lands around the middle of the eighteenth century. The first evidence of this practice was a Latin oratorio based on opera arias by George Frideric Handel (Prague 1725).
Spáčilová Jana
doaj   +1 more source

There Is no First Phase of the Jespersen Cycle1

Transactions of the Philological Society, EarlyView.
Abstract This paper challenges the traditional conception of the Jespersen Cycle by arguing that no ‘pure’ first phase of the cycle exists where a single negator operates without reinforcement. Drawing on historical data from Northern Italian dialects (Piedmontese, Lombard, Emilian), we demonstrate that emphatic negative structures systematically co ...
Tommaso Mattiuzzi, Cecilia Poletto
wiley   +1 more source

Le roman anglais du XVIIIe siècle à l’opéra : la sentimentalité, Pamela et The Maid of the Mill

Revue LISA, 2011
This article returns to the well-known notion of sentimental culture, and specifically, to sentimental opera derived from the English novel.  The notion that goodness must triumph, that a poor but honest girl should ‘make good’, and that such goodness ...
Michael Burden
doaj   +1 more source

THE CHARACTER “LUCREZIA BORGIA” OF DONIZETTI’S HOMONYMOUS OPERA. AN ANALYSIS OF CHARACTER AND VOCAL FEATURES

Studia Universitatis Babeş-Bolyai. Musica, 2022
Donizetti’s opera “Lucrezia Borgia” presents one of the most complex female characters in the history of Italian lyrical theatre – a notable portrait of “femme fatale”.
Edith Georgiana ADETU, Petruța Maria COROIU   +1 more
doaj   +1 more source

The Development of Italian Comic Opera in the 18th Century

Communications in Humanities Research
This paper takes Italian opera buffa as the research object, and focuses on analyzing the artistic characteristics of Italian opera buffa. It analyzes the famous Italian opera buffa composers and their works in the 18th century.
Jiawei Li
semanticscholar   +1 more source

Queen Anne's Wardrobe: Fashion, Sartorial Politics, and the Representational Strategies of the Last Stuart Queen

Journal for Eighteenth-Century Studies, EarlyView.
Abstract The final Stuart monarch, Queen Anne, has often been overlooked in studies of visual and material culture, particularly of fashion and dress. This article is the first to undertake a qualitative and quantitative analysis of the wardrobe accounts of Queen Anne, situating her consumption within the context of the eighteenth‐century fashion ...
Sarah A. Bendall
wiley   +1 more source

The Seven Point Circle and the Twelve Principles: An evidence-based approach to Italian Lyric Diction Instruction

SCENARIO: Journal for Performative Teaching, Learning, Research, 2019
Despite the ubiquitousness of Lyric Diction Instructors (LDIrs) in both the academic and professional opera world, there remains a dearth of research examining the approaches and methods used for Lyric Diction Instruction (LDIn) as well the nonexistence ...
Leigh, Steven A.
doaj   +1 more source