Results 31 to 40 of about 915,586 (214)
SCENARIO: Journal for Performative Teaching, Learning, Research, 2019 Despite the ubiquitousness of Lyric Diction Instructors (LDIrs) in both the academic and professional opera world, there remains a dearth of research examining the approaches and methods used for Lyric Diction Instruction (LDIn) as well the nonexistence ...
Leigh, Steven A.
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Studia Universitatis Babeş-Bolyai. Musica, 2022 Donizetti’s opera “Lucrezia Borgia” presents one of the most complex female characters in the history of Italian lyrical theatre – a notable portrait of “femme fatale”.
Edith Georgiana ADETU +1 more
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Civilizing the Nation: Travel, Civility and Bourgeois Nationalism in Israel
Nations and Nationalism, EarlyView.ABSTRACT This article reads The Lapid Guide to Europe, a bestselling Hebrew‐language travel guide published from the 1970s to the 1990s, as a form of bourgeois nationalism enacted through everyday practices of behaviour. Written by journalist and Holocaust survivor Tommy Lapid, the guide operated as civic pedagogy, instructing Israeli travellers in ...
Daniel Mahla
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Opus, 2016 In this article, we endeavored to characterize the historical context of the music management roles of the lyric theater: the artists and entrepreneurs who played a role in the history of the Municipal Theater of São Paulo during the first decades of ...
Juliana Marília Coli
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THE ITALIAN OPERA TOURS TO CHISINAU IN 1900-1912 REFLECTED IN PRESS REPORTS FROM MILAN [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021 Th e article examines the performances of the Italian opera artists on the stage of the Pushkin audience during their tours in Chisinau on the basis of the publications in the Milan theatre press.
Batsak, Konstantin
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Notation in Early Modern Language Teaching
Renaissance Studies, EarlyView.ABSTRACT This article examines the use of musical notation as a pedagogical tool in early modern language teaching, focusing on Latin, Greek, Hebrew, and briefly, Turkish. While musical notation is typically associated with performance and composition, the sources discussed here demonstrate its broader application as a visual and conceptual system for ...
Elisabeth Giselbrecht
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Is 'La bohѐme' a 'verismo' Opera?
Musical Offerings, 2020 Verismo is an Italian term that came to be used in reference to literature, theatre, and opera during the end of the nineteenth century. According to William Berger, “verismo is often translated as ‘realism’ but the word is closer to ‘truth’ in Italian.”
Leah P. Bartlam
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Revue LISA, 2003 This article surveys several examples of visual, and especially graphic, satires of Italian opera in early eighteenth-century Britain. They often targeted other imported dramatic genres or non-dramatic types of entertainment, such as pantomime and ...
Xavier Cervantes
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Performing Papal Supremacy: Niccolò Cieco's Capitoli for Martin V and Eugenius IV
Renaissance Studies, EarlyView.ABSTRACT This article analyses two poems performed by the blind oral poet (or canterino) Niccolò Cieco of Arezzo for the first two popes elected after the Great Schism, Martin V and Eugenius IV. It argues that Niccolò's characterisation of the papal office must be understood in relation to both medieval canon law and contemporary ecclesiological ...
Isaac Figliuoli
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, 1987 Pacific Opera Victoria's production of Donizetti's Lucia di Lammermoor. Creative team: Artistic director Timothy Vernon. Performace dates: September 24, 26, 28th, October 1, 3rd, 1987 at the McPherson Playhouse, Victoria, BC.
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