Results 31 to 40 of about 753,375 (222)
THE ITALIAN OPERA TOURS TO CHISINAU IN 1900-1912 REFLECTED IN PRESS REPORTS FROM MILAN [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021 Th e article examines the performances of the Italian opera artists on the stage of the Pushkin audience during their tours in Chisinau on the basis of the publications in the Milan theatre press.
Batsak, Konstantin
doaj
Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata
Music Analysis, EarlyView.ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
wiley +1 more source
Is 'La bohѐme' a 'verismo' Opera?
Musical Offerings, 2020 Verismo is an Italian term that came to be used in reference to literature, theatre, and opera during the end of the nineteenth century. According to William Berger, “verismo is often translated as ‘realism’ but the word is closer to ‘truth’ in Italian.”
Leah P. Bartlam
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Revue LISA, 2003 This article surveys several examples of visual, and especially graphic, satires of Italian opera in early eighteenth-century Britain. They often targeted other imported dramatic genres or non-dramatic types of entertainment, such as pantomime and ...
Xavier Cervantes
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Civilizing the Nation: Travel, Civility and Bourgeois Nationalism in Israel
Nations and Nationalism, EarlyView.ABSTRACT This article reads The Lapid Guide to Europe, a bestselling Hebrew‐language travel guide published from the 1970s to the 1990s, as a form of bourgeois nationalism enacted through everyday practices of behaviour. Written by journalist and Holocaust survivor Tommy Lapid, the guide operated as civic pedagogy, instructing Israeli travellers in ...
Daniel Mahla
wiley +1 more source
Renaissance Studies, EarlyView.ABSTRACT This article contributes to the history of material culture and intellectual biography by definitively identifying the Paduan scholar Matteo Macigni (ca. 1510–1582) as the author of the annotations found in a 1535 copy of Albrecht Dürer’s Institutionum geometricarum currently preserved in Vicenza.
Laura Moretti
wiley +1 more source
Sign Systems Studies, 2002 Mechanisms of adaptation “to our (Russian) customs” of Italian opera librettos. The paper deals with the history of poetical translation of Italian musical poetry in the 18th century Russia.
Stefano Garzonio
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Notation in Early Modern Language Teaching
Renaissance Studies, EarlyView.ABSTRACT This article examines the use of musical notation as a pedagogical tool in early modern language teaching, focusing on Latin, Greek, Hebrew, and briefly, Turkish. While musical notation is typically associated with performance and composition, the sources discussed here demonstrate its broader application as a visual and conceptual system for ...
Elisabeth Giselbrecht
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Infant and Child Development, Volume 35, Issue 5, September/October 2026.ABSTRACT Body dissatisfaction (BD) often arises from the discrepancy between a person's perceived body and an ‘ideal’ body. Mass media's adult‐targeted body ‘ideals’ also reach children and shape their body perceptions. BD is arising at increasingly younger ages in global north populations, however, there is scant research investigating media impacts ...
T. Thornborrow +3 more
wiley +1 more source
The marriage of Figaro : a comparative study of the theatre play by Beaumarchais and the opera by Mozart and Da Ponte [PDF]
, 2004 Includes bibliographical references (leaves 112-114).The controversy surrounding Beaumarchais's Le Mariage de Figaro (and King Lous XVI's initial banning of the play) is highlighted. Its strong social criticism of the inequality of social classes and the
Ottermann, Birgit
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