Results 21 to 30 of about 753,375 (222)

There Is no First Phase of the Jespersen Cycle1

open access: yesTransactions of the Philological Society, EarlyView.
Abstract This paper challenges the traditional conception of the Jespersen Cycle by arguing that no ‘pure’ first phase of the cycle exists where a single negator operates without reinforcement. Drawing on historical data from Northern Italian dialects (Piedmontese, Lombard, Emilian), we demonstrate that emphatic negative structures systematically co ...
Tommaso Mattiuzzi, Cecilia Poletto
wiley   +1 more source

Le roman anglais du XVIIIe siècle à l’opéra : la sentimentalité, Pamela et The Maid of the Mill

open access: yesRevue LISA, 2011
This article returns to the well-known notion of sentimental culture, and specifically, to sentimental opera derived from the English novel.  The notion that goodness must triumph, that a poor but honest girl should ‘make good’, and that such goodness ...
Michael Burden
doaj   +1 more source

Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760

open access: yesMusicology Today, 2021
The phenomenon of the pasticcio oratorio was quite widespread in the Czech Lands around the middle of the eighteenth century. The first evidence of this practice was a Latin oratorio based on opera arias by George Frideric Handel (Prague 1725).
Spáčilová Jana
doaj   +1 more source

The aesthetic sublime of megaproject structures: A framework and a research agenda

open access: yesEuropean Management Review, EarlyView.
Abstract The physical structures of megaprojects—such as mega‐canals, metros, railway lines, bridges, tunnels, and iconic opera houses—hold a profound capacity to generate aesthetic experiences with enduring societal impact. Yet, research on megaprojects has predominantly focused on functionality and economic rationale with aesthetics being pushed to ...
Federica De Molli   +2 more
wiley   +1 more source

THE CHARACTER “LUCREZIA BORGIA” OF DONIZETTI’S HOMONYMOUS OPERA. AN ANALYSIS OF CHARACTER AND VOCAL FEATURES

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2022
Donizetti’s opera “Lucrezia Borgia” presents one of the most complex female characters in the history of Italian lyrical theatre – a notable portrait of “femme fatale”.
Edith Georgiana ADETU   +1 more
doaj   +1 more source

Rethinking Merit in Calvin's Doctrine of the Atonement: Beyond Possessive Individualism

open access: yesInternational Journal of Systematic Theology, EarlyView.
Abstract Joan Lockwood O'Donovan argues that the Reformation doctrine of grace entails a rejection of the proprietary anthropology of self‐owning individuals and its attendant notion of justice – what C. B. Macpherson termed the “theory of possessive individualism.” Although O'Donovan praises Calvin's anthropology and his account of law for its non ...
John Walker
wiley   +1 more source

The Seven Point Circle and the Twelve Principles: An evidence-based approach to Italian Lyric Diction Instruction

open access: yesSCENARIO: Journal for Performative Teaching, Learning, Research, 2019
Despite the ubiquitousness of Lyric Diction Instructors (LDIrs) in both the academic and professional opera world, there remains a dearth of research examining the approaches and methods used for Lyric Diction Instruction (LDIn) as well the nonexistence ...
Leigh, Steven A.
doaj   +1 more source

Categorical Atypicality and Evaluation Accuracy: Who Make More Accurate Evaluations of Atypical Firms?

open access: yesJournal of Management Studies, EarlyView.
Abstract Prior literature on market categories and identities focuses primarily on whether categorical atypicality leads to positive or negative evaluation; however, much less is known about whether the evaluation is accurate or not. While it is important for producers to know if atypicality is penalized or rewarded, audiences are also concerned about ...
Pengfei Wang, Jingjiang Liu
wiley   +1 more source

Nicola Porpora’s operas for the ‘opera of the nobility’:the poetry and the music [PDF]

open access: yes
Studies of Italian opera in London during the first half of the eighteenth century have focussed on George Frideric Handel (1685-1759). As the most prolific composer of this genre in the English capital, this is unsurprising, but it has meant that other ...
Dumigan, Darryl Jacqueline
core   +1 more source

The Business of Art: Italian Influences in the Management and Organization of the Lyrical Opera in São Paulo

open access: yesOpus, 2016
In this article, we endeavored to characterize the historical context of the music management roles of the lyric theater:  the artists and entrepreneurs who played a role in the history of the Municipal Theater of São Paulo during the first decades of ...
Juliana Marília Coli
doaj   +1 more source

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