Results 21 to 30 of about 915,586 (214)
Introduction: Italian Theatre Reverberated
, 2022 In the eighteenth century, Italian musicians, singers, actors, and dancers criss-crossed the whole of Europe, advancing the circulation of dramatic repertoires, artistic excellence and socio-political ideas.
Korneeva
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There Is no First Phase of the Jespersen Cycle1
Transactions of the Philological Society, EarlyView.Abstract This paper challenges the traditional conception of the Jespersen Cycle by arguing that no ‘pure’ first phase of the cycle exists where a single negator operates without reinforcement. Drawing on historical data from Northern Italian dialects (Piedmontese, Lombard, Emilian), we demonstrate that emphatic negative structures systematically co ...
Tommaso Mattiuzzi, Cecilia Poletto
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Dacia Maraini's Norma '44: An English Language Translation
California Italian Studies, 2014 This is the first English-language translation of the play Norma ’44 (1986) by Italian feminist writer Dacia Maraini. Norma ’44 is the story of two Jewish Italian women who are forced to stage a production of Norma while imprisoned in a Nazi ...
Lucia Re, Monica Streifer
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Intellectual Property Restitution
The Modern Law Review, EarlyView.In Europe, open GLAM movements and cultural restitution reforms are overlooking a crucial aspect that should not be underestimated: what should happen to the archival materials, digital collections and intellectual property that are indelibly linked to cultural property.
Andrea Wallace, Mathilde Pavis
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The aesthetic sublime of megaproject structures: A framework and a research agenda
European Management Review, EarlyView.Abstract The physical structures of megaprojects—such as mega‐canals, metros, railway lines, bridges, tunnels, and iconic opera houses—hold a profound capacity to generate aesthetic experiences with enduring societal impact. Yet, research on megaprojects has predominantly focused on functionality and economic rationale with aesthetics being pushed to ...
Federica De Molli +2 more
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Rewriting Bachmann's Malina (1971) in the Age of Waldheim
The German Quarterly, EarlyView.Abstract This paper analyzes the drastic cuts made to Elfriede Jelinek's 1991 filmscript of Ingeborg Bachmann's Malina (1971) alongside the hypocritical omissions of Kurt Waldheim's political memoirs to situate her adaptation in a post‐1986 moment of Austrian reckoning with National Socialism. Whereas previous scholarship disentangles the film from its
Harry Ikue Mizumoto
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Le roman anglais du XVIIIe siècle à l’opéra : la sentimentalité, Pamela et The Maid of the Mill
Revue LISA, 2011 This article returns to the well-known notion of sentimental culture, and specifically, to sentimental opera derived from the English novel. The notion that goodness must triumph, that a poor but honest girl should ‘make good’, and that such goodness ...
Michael Burden
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HIV Medicine, EarlyView.Abstract Objective To describe real‐world patterns of use, virologic and immunologic outcomes and treatment persistence among people with HIV (PWH) initiating fostemsavir (FTR) in a diverse US cohort. Design Retrospective cohort study of adults receiving FTR in clinical practice, stratified by baseline viral suppression status.
Richard Elion +10 more
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Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Musicology Today, 2021 The phenomenon of the pasticcio oratorio was quite widespread in the Czech Lands around the middle of the eighteenth century. The first evidence of this practice was a Latin oratorio based on opera arias by George Frideric Handel (Prague 1725).
Spáčilová Jana
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Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata
Music Analysis, EarlyView.ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
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