Results 41 to 50 of about 207,820 (227)
Opus, 2016 In this article, we endeavored to characterize the historical context of the music management roles of the lyric theater: the artists and entrepreneurs who played a role in the history of the Municipal Theater of São Paulo during the first decades of ...
Juliana Marília Coli
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THE ITALIAN OPERA TOURS TO CHISINAU IN 1900-1912 REFLECTED IN PRESS REPORTS FROM MILAN [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021 Th e article examines the performances of the Italian opera artists on the stage of the Pushkin audience during their tours in Chisinau on the basis of the publications in the Milan theatre press.
Batsak, Konstantin
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Herbert's songs : designed for classical singers [PDF]
, 2012 This study addresses proper performance practice of Victor Herbert’s repertoire. The study details the vocal abilities of three of Victor Herbert’s most prolific sopranos (Alice Nielsen, Fritzi Scheff, and Emma Trentini), and identifies compositional ...
Krell, Laura R.
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The aesthetic sublime of megaproject structures: A framework and a research agenda
European Management Review, EarlyView.Abstract The physical structures of megaprojects—such as mega‐canals, metros, railway lines, bridges, tunnels, and iconic opera houses—hold a profound capacity to generate aesthetic experiences with enduring societal impact. Yet, research on megaprojects has predominantly focused on functionality and economic rationale with aesthetics being pushed to ...
Federica De Molli +2 more
wiley +1 more source
Revue LISA, 2003 This article surveys several examples of visual, and especially graphic, satires of Italian opera in early eighteenth-century Britain. They often targeted other imported dramatic genres or non-dramatic types of entertainment, such as pantomime and ...
Xavier Cervantes
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Italian opera stage ODESSA (1831 - 1838 years.) [PDF]
, 2016 Досліджена діяльність італійського оперного театру Одеси періоду антрепризи родини Ризничів та їхніх компаньйонів: формування репертуару, специфіка музично-драматичної діяльності трупи, вокальні та артистичні особливості творчості головних виконавців ...
Бацак, Костянтин Юрійович
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Romano Guardini and Cornelio Fabro on Kierkegaard's Christian Humanism
The Heythrop Journal, EarlyView.Abstract This article examines how Søren Kierkegaard's theological anthropology furnished resources for reconstructing Christian humanism among mid‐twentieth‐century Catholic thinkers. Focusing on Romano Guardini (1885‐1968) in Germany and Cornelio Fabro (1911‐1995) in Italy, I demonstrate how each thinker creatively appropriated Kierkegaard's ...
Joshua Furnal
wiley +1 more source
Information Serendipity, Pseudo-Serendipity, Zemblanity, Disruptive Discovery and Nemorinity: Revisiting Donizetti's and Romani's Opera Buffa L'elisir d'Amore [PDF]
, 2018 We report on an investigation designed to identify human information behaviour in Gaetano Donizetti’s and Felice Romani’s nineteenth-century opera buffa ‘L'elisir d'amore’ (‘Elixir of Love’). An intrinsic study was utilised using a hermeneutic reading of
Bronstein, Jenny, Solomon, Yosef
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Journal of Management Studies, EarlyView.Abstract Prior literature on market categories and identities focuses primarily on whether categorical atypicality leads to positive or negative evaluation; however, much less is known about whether the evaluation is accurate or not. While it is important for producers to know if atypicality is penalized or rewarded, audiences are also concerned about ...
Pengfei Wang, Jingjiang Liu
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Le Giulietta e Romeo de Riccardo Zandonai : une création nationaliste en ordre de marche
Revue LISA, 2011 This article analyses Riccardo Zandonai’s Giulietta e Romeo as a reading of Shakespeare’s tragedy through the double perspective of the eyes of the composer, immersed in the European literary and musical tradition, and those of the public and of the ...
Emmanuelle Bousquet
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