Results 41 to 50 of about 892,952 (209)

THE ITALIAN OPERA TOURS TO CHISINAU IN 1900-1912 REFLECTED IN PRESS REPORTS FROM MILAN [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021
Th e article examines the performances of the Italian opera artists on the stage of the Pushkin audience during their tours in Chisinau on the basis of the publications in the Milan theatre press.
Batsak, Konstantin
doaj  

The aesthetic sublime of megaproject structures: A framework and a research agenda

European Management Review, EarlyView.
Abstract The physical structures of megaprojects—such as mega‐canals, metros, railway lines, bridges, tunnels, and iconic opera houses—hold a profound capacity to generate aesthetic experiences with enduring societal impact. Yet, research on megaprojects has predominantly focused on functionality and economic rationale with aesthetics being pushed to ...
Federica De Molli, Alfons van Marrewijk, Arne Carlsen   +2 more
wiley   +1 more source

The Business of Art: Italian Influences in the Management and Organization of the Lyrical Opera in São Paulo

Opus, 2016
In this article, we endeavored to characterize the historical context of the music management roles of the lyric theater:  the artists and entrepreneurs who played a role in the history of the Municipal Theater of São Paulo during the first decades of ...
Juliana Marília Coli
doaj   +1 more source

Rethinking Merit in Calvin's Doctrine of the Atonement: Beyond Possessive Individualism

International Journal of Systematic Theology, EarlyView.
Abstract Joan Lockwood O'Donovan argues that the Reformation doctrine of grace entails a rejection of the proprietary anthropology of self‐owning individuals and its attendant notion of justice – what C. B. Macpherson termed the “theory of possessive individualism.” Although O'Donovan praises Calvin's anthropology and his account of law for its non ...
John Walker
wiley   +1 more source

« Nurseries of Vice and Folly » : Satires graphiques de l’opéra italien en Angleterre dans la première moitié du XVIIIe siècle

Revue LISA, 2003
This article surveys several examples of visual, and especially graphic, satires of Italian opera in early eighteenth-century Britain. They often targeted other imported dramatic genres or non-dramatic types of entertainment, such as pantomime and ...
Xavier Cervantes
doaj   +1 more source

Categorical Atypicality and Evaluation Accuracy: Who Make More Accurate Evaluations of Atypical Firms?

Journal of Management Studies, EarlyView.
Abstract Prior literature on market categories and identities focuses primarily on whether categorical atypicality leads to positive or negative evaluation; however, much less is known about whether the evaluation is accurate or not. While it is important for producers to know if atypicality is penalized or rewarded, audiences are also concerned about ...
Pengfei Wang, Jingjiang Liu
wiley   +1 more source

Civilizing the Nation: Travel, Civility and Bourgeois Nationalism in Israel

Nations and Nationalism, EarlyView.
ABSTRACT This article reads The Lapid Guide to Europe, a bestselling Hebrew‐language travel guide published from the 1970s to the 1990s, as a form of bourgeois nationalism enacted through everyday practices of behaviour. Written by journalist and Holocaust survivor Tommy Lapid, the guide operated as civic pedagogy, instructing Israeli travellers in ...
Daniel Mahla
wiley   +1 more source

Le Giulietta e Romeo de Riccardo Zandonai : une création nationaliste en ordre de marche

Revue LISA, 2011
This article analyses Riccardo Zandonai’s Giulietta e Romeo as a reading of Shakespeare’s tragedy through the double perspective of the eyes of the composer, immersed in the European literary and musical tradition, and those of the public and of the ...
Emmanuelle Bousquet
doaj   +1 more source

‘Why Did You Go to Buda?’: The Humanist Sodality and Mantuan’s Rustic Idyll in Bohuslaus of Hassenstein’s Ecloga sive Idyllion Budae (1503)☆

Renaissance Studies, EarlyView.
Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
wiley   +1 more source

OPERA AND ITALIAN IDENTITY: THE LONG VIEW

Studia Universitatis Babeş-Bolyai. Musica, 2013
The nineteenth century is generally acknowledged as the period in which modern ideas of nation and nationalism crystallised; it is also seen as the period in which those ideas played a part in the process of Italian unification.
Stefano CASTELVECCHI
doaj