Results 41 to 50 of about 915,586 (214)
The marriage of Figaro : a comparative study of the theatre play by Beaumarchais and the opera by Mozart and Da Ponte [PDF]
, 2004 Includes bibliographical references (leaves 112-114).The controversy surrounding Beaumarchais's Le Mariage de Figaro (and King Lous XVI's initial banning of the play) is highlighted. Its strong social criticism of the inequality of social classes and the
Ottermann, Birgit
core +1 more source
OPERA AND ITALIAN IDENTITY: THE LONG VIEW
Studia Universitatis Babeş-Bolyai. Musica, 2013 The nineteenth century is generally acknowledged as the period in which modern ideas of nation and nationalism crystallised; it is also seen as the period in which those ideas played a part in the process of Italian unification.
Stefano CASTELVECCHI
doaj
Journal of Management Studies, Volume 63, Issue 7, Page 4110-4150, November 2026.Abstract Prior literature on market categories and identities focuses primarily on whether categorical atypicality leads to positive or negative evaluation; however, much less is known about whether the evaluation is accurate or not. While it is important for producers to know if atypicality is penalized or rewarded, audiences are also concerned about ...
Pengfei Wang, Jingjiang Liu
wiley +1 more source
Renaissance Studies, Volume 40, Issue 5, Page 865-883, November 2026.ABSTRACT This article contributes to the history of material culture and intellectual biography by definitively identifying the Paduan scholar Matteo Macigni (ca. 1510–1582) as the author of the annotations found in a 1535 copy of Albrecht Dürer’s Institutionum geometricarum currently preserved in Vicenza.
Laura Moretti
wiley +1 more source
, 1994 Pacific Opera Victoria's production of La Traviata by Verdi. Part of A Season of Love, 1993-1994. Creative team: Artistic director Timothy Vernon. Poster illustration by Murray Kimber.
core +1 more source
Mélanges de la Casa de VelázquezThe interest in Italian opera at the Portuguese court emerged long before the consolidated view of critical studies that have traditionally identified the beginning of the enjoyment and diffusion of Italian opera in Portugal with the reign of Joseph I ...
Giuseppina Raggi
doaj +1 more source
Sign Systems Studies, 2002 Mechanisms of adaptation “to our (Russian) customs” of Italian opera librettos. The paper deals with the history of poetical translation of Italian musical poetry in the 18th century Russia.
Stefano Garzonio
doaj +1 more source
Rethinking Merit in Calvin's Doctrine of the Atonement: Beyond Possessive Individualism
International Journal of Systematic Theology, Volume 28, Issue 4, Page 378-400, October 2026.Abstract Joan Lockwood O'Donovan argues that the Reformation doctrine of grace entails a rejection of the proprietary anthropology of self‐owning individuals and its attendant notion of justice – what C. B. Macpherson termed the “theory of possessive individualism.” Although O'Donovan praises Calvin's anthropology and his account of law for its non ...
John Walker
wiley +1 more source
Mussorgsky’s Boris Godunov in Italian: Analyzing the Influence of Michel Delines’ French Version
Translation Studies: Theory and PracticeThis article presents a brief history of Italian rhythmical translations of Modest Mussorgsky's libretto for his opera Boris Godunov, each apparently drawing on Michel Delines’ French version from 1908.
Anna Stetsenko
doaj +1 more source
THE SOCIAL SPACE OF THE ODESSA ITALIAN OPERA IN THE FIRST HALF OF THE 19th CENTURY [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2016 The Opera Theatre as a synthetic kind of art suggests specific approaches to its investigation. The artistic and aesthetic component of the opera genre does not exhaust the whole variety of its contents, in which the social dimension closely links and ...
BAŢAC CONSTANTIN
doaj