Results 41 to 50 of about 753,375 (222)
OPERA AND ITALIAN IDENTITY: THE LONG VIEW
Studia Universitatis Babeş-Bolyai. Musica, 2013 The nineteenth century is generally acknowledged as the period in which modern ideas of nation and nationalism crystallised; it is also seen as the period in which those ideas played a part in the process of Italian unification.
Stefano CASTELVECCHI
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THE SOCIAL SPACE OF THE ODESSA ITALIAN OPERA IN THE FIRST HALF OF THE 19th CENTURY [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2016 The Opera Theatre as a synthetic kind of art suggests specific approaches to its investigation. The artistic and aesthetic component of the opera genre does not exhaust the whole variety of its contents, in which the social dimension closely links and ...
BAŢAC CONSTANTIN
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Le Giulietta e Romeo de Riccardo Zandonai : une création nationaliste en ordre de marche
Revue LISA, 2011 This article analyses Riccardo Zandonai’s Giulietta e Romeo as a reading of Shakespeare’s tragedy through the double perspective of the eyes of the composer, immersed in the European literary and musical tradition, and those of the public and of the ...
Emmanuelle Bousquet
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Journal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 309-341, September 2026.Abstract The final Stuart monarch, Queen Anne, has often been overlooked in studies of visual and material culture, particularly of fashion and dress. This article is the first to undertake a qualitative and quantitative analysis of the wardrobe accounts of Queen Anne, situating her consumption within the context of the eighteenth‐century fashion ...
Sarah A. Bendall
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Mélanges de la Casa de VelázquezThe interest in Italian opera at the Portuguese court emerged long before the consolidated view of critical studies that have traditionally identified the beginning of the enjoyment and diffusion of Italian opera in Portugal with the reign of Joseph I ...
Giuseppina Raggi
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Italiano LinguaDue, 2015 Il presente lavoro approfondisce, nelle sue pagine iniziali, il tema dell’italiano dei libretti d’opera inteso come vera e propria varietà linguistica e «ipercordice» del quale vengono esaminati in forma sintetica i tratti caratterizzanti di natura ...
Uberto Minghi
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The Mutable Original: How Chinese Counterfeits Become Nigerian Originals in African Markets
American Anthropologist, Volume 128, Issue 3, Page 581-594, September 2026.ABSTRACT Affordable Chinese copies of Western brands are ubiquitous in African markets. Despite democratizing consumer access, these goods appear to cement hegemonic value hierarchies that rank Chinese or local products as inferior to Western goods.
Jing Jing Liu
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Mussorgsky’s Boris Godunov in Italian: Analyzing the Influence of Michel Delines’ French Version
Translation Studies: Theory and PracticeThis article presents a brief history of Italian rhythmical translations of Modest Mussorgsky's libretto for his opera Boris Godunov, each apparently drawing on Michel Delines’ French version from 1908.
Anna Stetsenko
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Antipode, Volume 58, Issue 5, September 2026.ABSTRACT In supply chain capitalism, logistics operates as a spatial power, reorganizing territories according to imperatives of circulation, efficiency and control. Focusing on the Interoceanic Corridor of the Isthmus of Tehuantepec in Mexico, this article argues that logistics can only materialize in territory through violence. It conceptualizes this
Giorgio Sebastiani
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Renaissance Studies, Volume 40, Issue 4, Page 609-634, September 2026.Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
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