Results 51 to 60 of about 207,820 (227)
Civilizing the Nation: Travel, Civility and Bourgeois Nationalism in Israel
Nations and Nationalism, EarlyView.ABSTRACT This article reads The Lapid Guide to Europe, a bestselling Hebrew‐language travel guide published from the 1970s to the 1990s, as a form of bourgeois nationalism enacted through everyday practices of behaviour. Written by journalist and Holocaust survivor Tommy Lapid, the guide operated as civic pedagogy, instructing Israeli travellers in ...
Daniel Mahla
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OPERA AND ITALIAN IDENTITY: THE LONG VIEW
Studia Universitatis Babeş-Bolyai. Musica, 2013 The nineteenth century is generally acknowledged as the period in which modern ideas of nation and nationalism crystallised; it is also seen as the period in which those ideas played a part in the process of Italian unification.
Stefano CASTELVECCHI
doaj
Sign Systems Studies, 2002 Mechanisms of adaptation “to our (Russian) customs” of Italian opera librettos. The paper deals with the history of poetical translation of Italian musical poetry in the 18th century Russia.
Stefano Garzonio
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Umberto Eco’s 'Opera Aperta' and the Birth of Italian Electronic Literature
Modern Languages Open, 2021 The convergence of electronic media and literary forms during the digital revolution has produced a variety of new hybrid genres which we call today ‘electronic literature’. In Italy, electronic literature has a rich history.
Emanuela Patti
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Renaissance Studies, EarlyView.Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
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THE SOCIAL SPACE OF THE ODESSA ITALIAN OPERA IN THE FIRST HALF OF THE 19th CENTURY [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2016 The Opera Theatre as a synthetic kind of art suggests specific approaches to its investigation. The artistic and aesthetic component of the opera genre does not exhaust the whole variety of its contents, in which the social dimension closely links and ...
BAŢAC CONSTANTIN
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What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
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Mélanges de la Casa de VelázquezThe interest in Italian opera at the Portuguese court emerged long before the consolidated view of critical studies that have traditionally identified the beginning of the enjoyment and diffusion of Italian opera in Portugal with the reign of Joseph I ...
Giuseppina Raggi
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Opera and Society, April 18 and 19, 2008 [PDF]
, 2008 This is the concert program of the Opera and Society conference on Tuesday, April 18, 2008 and Wednesday, April 19, 2008, at the Marshall Room, 855 Commonwealth Avenue. Lectures were given by Cynthia Verba, Martin Pearlman, John Platoff, Sidney Friedman,
School of Music, Boston University
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Renaissance Studies, EarlyView.ABSTRACT This article contributes to the history of material culture and intellectual biography by definitively identifying the Paduan scholar Matteo Macigni (ca. 1510–1582) as the author of the annotations found in a 1535 copy of Albrecht Dürer’s Institutionum geometricarum currently preserved in Vicenza.
Laura Moretti
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