Results 11 to 20 of about 892,952 (209)
'Italian Opera' in 'Central Europe', 1600–1780: Research Trends and the Geographic Imagination
Muzikološki Zbornik, 2021 This brief survey of literature, provided with a bibliography, proposes to critically inform about research carried out over the last 30 years, and to identify research trends regarding subject definition, methodology and epistemology of the apparent ...
Reinhard Strohm
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THE EVOLUTION OF ITALIAN MELODRAMA: FROM DONIZETTI TO VERDI
Studia Universitatis Babeş-Bolyai. Musica, 2021 This study presents the evolution of the Italian melodrama of the nineteenth century, having as a major composer exponents such as Gaetano Donizetti and Giuseppe Verdi.
Edith Georgiana ADETU +1 more
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XVII-XVIII, 2022 At a time when Italian opera reigned supreme over most of Europe, England was no exception to the rule and yielded to the charms of that art form in the very first years of the 18th century.
Xavier Cervantes
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8. Gioachino Rossini, Voice Assemblies In The Opera IL Barbiere Di Siviglia
Review of Artistic Education, 2020 In Naples, Gioachino Rossini creates some of his works for representations in other cities. The best known, the Barber of Seville or Useless Precaution, opened on February 20, 1816, atTeatro Argentina in Rome.
Fântână Cristina Simionescu
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Le Falstaff de Manfredo Maggioni et Michael Balfe : façonner un opéra italien pour le public anglais
Revue LISA, 2011 Based on Shakespeare’s Merry Wives of Windsor, Michael Balfe’s Falstaff, created in 1838 for London’s Italian opera audiences, was the work of an Italian librettist, Manfredo Maggioni, and an Irish composer, a first in a theatre where only Italian ...
Céline Frigau
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Just for the Ladies? Compilation, Knowledge Practice and Pasticcio in England around 1720
Musicology Today, 2021 In 1719, the Royal Academy of Music was founded with the purpose of setting Italian opera in England on solid ground. Previously, at least two thirds of the Italian operas staged in London had been pasticci.
Knoth Ina
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Anechoic recordings of Italian opera played by orchestra, choir, and soloists.
Journal of the Acoustical Society of America, 2020 Auralisation-based research needs anechoic recordings. Where opera is concerned, anechoic material is limited to a few recordings. Using the approaches of previous recordings, the present work shows methods and results of a recording set focused on the ...
D. D’Orazio
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ITALY: THE WORLD OF MUSIC AND BELCANTO
Концепт: философия, религия, культура, 2019 The most powerful incentive in the study of Italian is undoubtedly the Italian culture and music at the forefront. It was in Italy that the modern system of musical notation originated a thousand years ago. The Italian musical notes relating to the tempo
E. V. Orel
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Review of Artistic Education, 2020 Giacomo Puccini’s artistic creation spans a period of 40 years, from 1884 to 1924, during which time he composed 12 works. This small number proves once again the great artistic exigency of the composer.
Ursachi Doina Dimitriu
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Murder at the Opera: “Cavalleria Rusticana” and “I Pagliacci”
Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2018 Pietro Mascagni's “Cavalleria Rusticana” and Ruggero Leoncavallo's “I Pagliacci” are the most important operas of the Italian Risorgimento period. These two operas complete each other, both chronologically and subject matters as works reflecting the ...
Bülent AYYILDIZ
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