Camillo Everardi’s Pedagogical Repertoire at the Saint Petersburg Conservatory (1870–1888)
This article, drawing on archival sources, attempts to reconstruct the pedagogical career of Camillo Everardi (1825–1899) at the Saint Petersburg Conservatory, where he taught for 18 years — from 1870 to 1888.
Alexandra B. Turintseva
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Questenberg a Sporck – oddělené a nezávislé barokní hudební subkultury na Moravě a v Čechách?
The long time exposed question whether there were any connections between the Italian opera productions in Kuks and Prague (Bohemia), and Jaroměřice nad Rokytnou (Moravia), i.e.
Stanislav Bohadlo
doaj
China and Italy both possess rich operatic traditions, yet both encounter challenges in sustaining engagement among younger generations. This study investigates how infrastructural conditions influencing young audiences’ willingness to experience with ...
Tianyu Han
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Recordings of Italian opera orchestra and soloists in a silent room
D. D’Orazio, S. D. Cesaris, M. Garai
semanticscholar +1 more source
Sound energy distribution in Italian opera houses
M. Garai +3 more
semanticscholar +1 more source
Dall'opera al ballo e ritorno: Cesare in Egitto nell'Italia napoleonica
For a ball in Naples in honor of Giuseppe Bonaparte Gaetano Gioia resumed the ancient operatic subject of Caesar in Egypt, back in vogue and referred in encomiastic terms to Napoleon since 1796.
Paolo Russo
doaj
Acoustic Analysis of Blues, Country, Folk, Italian Opera, and Rock Singing. [PDF]
Bienhold GJ +6 more
europepmc +1 more source
Quantitative Postural Evaluation in Orchestral Musicians (the OPErA Project): Protocol for a Cross-Sectional Study. [PDF]
Consentino C +5 more
europepmc +1 more source
Pure global amusia in a professional opera singer. [PDF]
Priftis K, Giordano BL.
europepmc +1 more source
The OPERA project: a harmonized multinational real-world ART database across Italy and Germany (2016-2020) and a descriptive snapshot of contemporary clinical practice. [PDF]
Francavilla A +5 more
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