Results 111 to 120 of about 182,914 (266)
Revista Brasileira de Estudos da Presença, 2012 This text was written by the Italian director, based in Denmark, Eugenio Barba, as an introduction to the latest recent spectacle of his theatre company, Odin Teatret.
Eugenio Barba
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Shakespearean Histories and Greek History: Henry V and Richard II at the Greek National Theatre (1941, 1947) [PDF]
, 2007 Henry V and Richard II made their first and only appearance on the Greek stage in the turbulent 1940s. The first was performed in March 1941, just before the arrival of the German nazis, and the second in November 1947, a year after the problematic ...
Krontiris, Tina
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Trauma and affect in a Holocaust survivor's story: Rosita Fanto's novel Rozalia Alone
Orbis Litterarum, EarlyView.Abstract My article endeavors to redress the neglect of Rosita Fanto's Rozalia Alone (2010), which deals with a page of history that is less known worldwide, the Holocaust in Romania. Using a trauma studies perspective that mixes with affect theory, the article demonstrates that Rozalia Alone covers in a nutshell the whole magnitude of the late 1930s ...
Arleen Ionescu
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The Demand for Theatre. A Microeconomic Approach to the Italian Case [PDF]
This paper examines theatre participation in Italy over the period 1995–2006. Explanatory variables are determined by identifying their contributions to both the individual’s decision to attend, and the frequency of attendance.
Concetta Castiglione
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From Everyman to Hamlet: A Distant Reading
Renaissance Studies, EarlyView.Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
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Le celebrazioni del mondo contadino e le pratiche del teatro in ambiente naturale: un confronto
Ricerche di S/Confine, 2013 This paper develops a chapter of my dissertation, L’arte del percepire: esperienze contemporanee di Teatro nella Natura in Italia (The art of perception: contemporary Italian experiences of Theatre in theNature).
Anna Bianchi
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A Survivor From Warsaw, November 21, 2011 [PDF]
, 2011 This is the concert program of the A Survivor From Warsaw performance on Monday, November 21, 2011 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue, Boston, Massachusetts. Works performed were A Survivor from Warsaw, op.
School of Music, Boston University
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Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
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The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet
Renaissance Studies, EarlyView.Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
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Italian Theatre Today: Not a System, and so Many Transformations
Critical Stages, 2019 Far from being a system, the Italian scene is an agglomeration where historical events, linguistic varieties, places of creation, small and large legislative provisions and artists’ personality shake the theatres and their audiences in an animated chaos.
Roberto Canziani
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