Results 11 to 20 of about 182,914 (266)
Making a star on the small screen: The case of Mina and RAI [PDF]
, 2014 © 2015 Intellect Ltd Article. English language. Anna Maria Quaini (née Mazzini), or Mina as she is more commonly known, is a prolific Italian pop singer who rose to fame in the late 1950s. She was particularly dominant from the mid-1960s to the mid-1970s,
Haworth, Rachel
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Journal of Early Modern Studies, 2016 Comparative examinations of the Commedia dell’Arte and early modern English theatre (and Shakespeare in particular) have been directed mainly to the study of texts.
Paola Pugliatti
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Scenario e ruoli sociali delle Associazioni teatrali non professionistiche italiane
Antropologia e Teatro, 2016 This paper investigates the present scenario of the non-professional theater associations in Italy so as to understand their current form of organization. The study focuses on the changes that have characterized in time the non-professional associations (
Cinzia Toscano
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Generazioni di attori. Il carteggio di Adelaide con Maddalena Ristori e gli affanni della capocomica
Drammaturgia, 2023 This essay aims to submit a first survey of the substantial correspondence between Antonio and Maddalena Ristori, both actors, with their daughter Adelaide.
Francesca Simoncini
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THE SOCIAL SPACE OF THE ODESSA ITALIAN OPERA IN THE FIRST HALF OF THE 19th CENTURY [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2016 The Opera Theatre as a synthetic kind of art suggests specific approaches to its investigation. The artistic and aesthetic component of the opera genre does not exhaust the whole variety of its contents, in which the social dimension closely links and ...
BAŢAC CONSTANTIN
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Profili di Clitennestra tra odio e amore [Profiles of Clytemnestra between hate and love]
Open Journal of Humanities, 2019 Since epic narrative Clytemnestra’s story has played a leading role in the history of classical tradition, due to the great significance and semantic complexity of her figure.
Caterina Barone
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Strindberg nel teatro italiano del XXI secolo
Il castello di Elsinore, 2020 Starting from Ett drömspel, staged by Luca Ronconi, in February 2000, this paper deals with the perception that the outstanding men of the Italian theatre – especially Massimo Castri, Marco Bernardi, Armando Pugliese, Gabriele Lavia, Walter Malosti etc. –
Franco Perrelli
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Purim e gli albori del teatro ebraico in Italia
Altre Modernità, 2011 The Jewish theatre in Hebrew has its very first beginning in Italy with the "Wedding Comedy" by Leone de Sommi (Mantua, floruit 1550), whose inspiration owes much to the Purim tradition.
Maria Luisa Mayer Modena
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La figura del femminiello/travestito nella cultura e nel teatro contemporaneo napoletano
Cahiers d’Études Italiennes, 2013 For decades, Neapolitan culture had, among its top representatives, the femminiello. Expression of a complex mixture of socio/anthropological elements, this character was a crucial part of the social context of the historic center of Naples.
Mariano D’Amora
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Vestnik za Tuje Jezike, 2022 This article deals with the introduction of improvisational theatre (improv) techniques into the teaching of Italian as a foreign language. The first, theoretical part introduces improvisational theatre and the main principles that improvisers use in ...
Jošt Jesenovec
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