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Theatre of the English and Italian Renaissance
1991List of Plates - Preface - Notes on the Contributors - PART 1: PERFORMANCE AND PLAYING PLACES OF THE ITALIAN RENAISSANCE - The Changing Scene: Plays and Playhouses in the Italian Renaissance M.Anderson - Scripted Theatre and the Commedia dell'Arte R.Andrews - The Theatrical Activities of Palla di Lorenzo Strozzi in Lyons in the 1540s J.Bryce - PART 2 ...
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The Italian way to theatre in prison
Economia della Cultura, 2013The article provides an overview of Prison Theatre in Italy, an artistic form which in the past twenty years has gradually gained notoriety and prestige thanks to the work carried out by theatre directors such as Armando Punzo at the Carcere di Volterra or Fabio Cavalli at the Carcere di Rebibbia in Rome, who gave life to outstanding productions and ...
Taormina Antonio, Valenti Cristina
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The Italian Theatre Today: Twelve Interviews
World Literature Today, 1978Bettina L. Knapp, Alba Amoia
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Objective musician’s criteria in Italian historical theatres
2015Musicians’ objective criteria have been proposed in the literature basing on measurements done in concert halls. The stages of the Italian historical theatres are designed to host opera scenes and singers. Orchestras plays often on the stage, due to larger availability of opera houses compared to concert halls in Italy.
D'ORAZIO, DARIO +4 more
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The Dialect Theatres of Northern Italian
2006All’interno di una storia del teatro italiano, il saggio evidenzia l’importanza e lo sviluppo del teatro dialettale all’indomani dell’Unità d’Italia, come prima e paradossale manifestazione del nuovo assetto geopolitico; a Torino, poi a Milano, quindi a Venezia, Bologna, Genova e Firenze si fondano compagnie, si inaugurano teatri, crescono ...
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Process and product in Italian Conceptual Theatre
2020Between the mid-seventies and early eighties the Italian experimental scene was crossed by a profound artistic ferment and by the proliferation of “trends”, events (festivals, shows) and theatrical formations. In 1976, in particular, the New Italian Theatre experienced its most “utopian” phase: the artists of the third generation of the avant-garde ...
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