Results 261 to 270 of about 1,164,238 (298)

Christopher Cairns, ed. The Renaissance Theatre, Texts, Performance, Design: Vol. 1, English and Italian Theatre Vol. 2, Design, Image, and Acting Aldershot: Ashgate 1999. £55.00. Vol 1: xi, 206 p. Vol 2: x, 130 p. ISBN 0-7546-0006-8 and 0-7546-0007-6.

New Theatre Quarterly, 2001
C. Baugh
semanticscholar   +1 more source

Objective musician’s criteria in Italian historical theatres

2015
Musicians’ objective criteria have been proposed in the literature basing on measurements done in concert halls. The stages of the Italian historical theatres are designed to host opera scenes and singers. Orchestras plays often on the stage, due to larger availability of opera houses compared to concert halls in Italy.
D'ORAZIO, DARIO, DE CESARIS, SIMONA, Tovo, A., Guerra, L., GARAI, MASSIMO   +4 more
openaire   +1 more source

The Dialect Theatres of Northern Italian

2006
All’interno di una storia del teatro italiano, il saggio evidenzia l’importanza e lo sviluppo del teatro dialettale all’indomani dell’Unità d’Italia, come prima e paradossale manifestazione del nuovo assetto geopolitico; a Torino, poi a Milano, quindi a Venezia, Bologna, Genova e Firenze si fondano compagnie, si inaugurano teatri, crescono ...
openaire   +1 more source

A History of Italian Theatre . Edited by Joseph Farrell and Paolo Puppa. Cambridge: Cambridge University Press, 2006. Pp. 418 + 29 illus. £65/$110 Hb.

Theatre research international, 2008
B. Ferraro
semanticscholar   +1 more source

Process and product in Italian Conceptual Theatre

2020
Between the mid-seventies and early eighties the Italian experimental scene was crossed by a profound artistic ferment and by the proliferation of “trends”, events (festivals, shows) and theatrical formations. In 1976, in particular, the New Italian Theatre experienced its most “utopian” phase: the artists of the third generation of the avant-garde ...
openaire   +1 more source

Musician-oriented stage measurements in Italian historical theatres

2013
The Italian historical theatres have been built to blend the singer voice and the orchestral sound in the melodrama. In order to arrange the different scenes required by an opera representation, these theaters have a large volume in the stage section. Thus the stage volume may be oversized compared to the one of the orchestra pit.
D'ORAZIO, DARIO, Silingardi V., DE CESARIS, SIMONA, GARAI, MASSIMO   +3 more
openaire   +1 more source

Obesity and adverse breast cancer risk and outcome: Mechanistic insights and strategies for intervention

Ca-A Cancer Journal for Clinicians, 2017
Cynthia Morata-Tarifa, Joyce M Slingerland   +1 more
exaly  

Multidisciplinary standards of care and recent progress in pancreatic ductal adenocarcinoma

Ca-A Cancer Journal for Clinicians, 2020
Aaron J Grossberg, William L Hwang, Anirban Maitra   +2 more
exaly  

Oral complications of cancer and cancer therapy

Ca-A Cancer Journal for Clinicians, 2012
Joel B Epstein, Rene-Jean Bensadoun, Andrei Barasch   +2 more
exaly  

The financial burden and distress of patients with cancer: Understanding and stepping‐up action on the financial toxicity of cancer treatment

Ca-A Cancer Journal for Clinicians, 2018
Pricivel M Carrera, Hagop M Kantarjian, Victoria S Blinder   +2 more
exaly