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Generazioni di attori. Il carteggio di Adelaide con Maddalena Ristori e gli affanni della capocomica
This essay aims to submit a first survey of the substantial correspondence between Antonio and Maddalena Ristori, both actors, with their daughter Adelaide.
Francesca Simoncini
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THE SOCIAL SPACE OF THE ODESSA ITALIAN OPERA IN THE FIRST HALF OF THE 19th CENTURY [PDF]
The Opera Theatre as a synthetic kind of art suggests specific approaches to its investigation. The artistic and aesthetic component of the opera genre does not exhaust the whole variety of its contents, in which the social dimension closely links and ...
BAŢAC CONSTANTIN
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La figura del femminiello/travestito nella cultura e nel teatro contemporaneo napoletano
For decades, Neapolitan culture had, among its top representatives, the femminiello. Expression of a complex mixture of socio/anthropological elements, this character was a crucial part of the social context of the historic center of Naples.
Mariano D’Amora
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Strindberg nel teatro italiano del XXI secolo
Starting from Ett drömspel, staged by Luca Ronconi, in February 2000, this paper deals with the perception that the outstanding men of the Italian theatre – especially Massimo Castri, Marco Bernardi, Armando Pugliese, Gabriele Lavia, Walter Malosti etc. –
Franco Perrelli
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Purim e gli albori del teatro ebraico in Italia
The Jewish theatre in Hebrew has its very first beginning in Italy with the "Wedding Comedy" by Leone de Sommi (Mantua, floruit 1550), whose inspiration owes much to the Purim tradition.
Maria Luisa Mayer Modena
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This article deals with the introduction of improvisational theatre (improv) techniques into the teaching of Italian as a foreign language. The first, theoretical part introduces improvisational theatre and the main principles that improvisers use in ...
Jošt Jesenovec
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Performance as Exchange: Taxation and Jewish Theatre in Early Modern Italy [PDF]
In early modern Italy, an unusual form of exchange between Jewish and Christian communities materialized in Mantua: Jews in Mantua were required to perform an annual play as a tribute to their Gonzaga rulers.
Jaffe-Berg, E
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Many acoustic studies have been carried out in the Italian theatres built during the 17th and 18th centuries. Along with the development of technology, acoustic measurements become increasingly more accurate, able to capture the faithful acoustic ...
A. Bevilacqua, L. Tronchin
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L’opera e l’insegnamento dell’italiano nel mondo
Each year the Italian government chooses a topic as the focus of the ‘week of Italian in the world’, to be held late in October. Researchers, institutions and practitioners in the field of Italian as a FL are asked to focus their work on the topic of ...
Balboni, Paolo E.
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Marcello Mastroianni e Peter Brook
The essay, focusing on the relationship between Marcello Mastroianni and Peter Brook (1984), also analyzes the relationship of the Italian actor with his theatrical and cinematographic vocation, in relation to the historical situations of Italian theatre.
Franco Perrelli
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