Results 261 to 270 of about 3,778,150 (354)
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Status, Standards, and Stereotypes: J. S. Bach’s Presence in the Silent Era
BACH: Journal of the Riemenschneider Bach Institute, 2022:To date, J. S. Bach’s role in silent cinema has not received much attention, in part because so few sources seem to point in his direction. Bach is barely mentioned in film music’s major encyclopedic sources of the period.
James M. Doering
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J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985)
BACH: Journal of the Riemenschneider Bach Institute, 2022:In his 1985 film Je vous salue, Marie (Hail Mary), Jean-Luc Godard integrated preexisting music by J. S. Bach. The choice is a surprise, as Godard hardly ever used the music of the German baroque master in his sixty-year film career.
Michael Baumgartner
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BACH: Journal of the Riemenschneider Bach Institute, 2022
:The music of J. S. Bach has a long history in the instruction of harmony and counterpoint. His vocal chorales, in particular, are regarded as the gold standard in the study of four-part writing and harmony.
Alexander Sánchez-Behar
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:The music of J. S. Bach has a long history in the instruction of harmony and counterpoint. His vocal chorales, in particular, are regarded as the gold standard in the study of four-part writing and harmony.
Alexander Sánchez-Behar
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Georg Böhm’s Keyboard Music: Questions of Authorship and Connections with the Music of J. S. Bach
BACH: Journal of the Riemenschneider Bach Institute, 2022:Georg Böhm (1661–1733) has always been recognized as a key figure in the development of the young J. S. Bach and, more likely than not, he was his most important teacher.
P. Dirksen
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Fugues in the context of pedagogical searches J. S. Bach on the example of "The Art of Fugues"
Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta, 2023The article focuses on the work of I.S. Bach "The Art of Fugue". It is considered as the “testament of the Master” to descendants. It turns out that the pedagogical activity of I.S. Bach's life was not over.
E. Prikhodovskaya, Galina Lakusha
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New Perspectives on J. S. Bach's St. Matthew Passion: The Choreographic Vision of John Neumeier
BACH: Journal of the Riemenschneider Bach Institute, 2023:In 1980–1981, the American choreographer John Neumeier, director of the Hamburg Ballet since 1973, created a ballet to Bach's St. Matthew Passion. Aware that choreographing a revered icon of sacred music might be viewed as a violation of its sacrosanct ...
Robert Riggs, Mary Barres Riggs
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Notational and Performance Issues in J. S. Bach’s Preludes and Fugues for Organ
BACH: Journal of the Riemenschneider Bach Institute, 2022:This article presents the results of a notational study of J. S. Bach’s use of time signatures in his free preludes and fugues for organ. Although studies of these works have focused on stylistic and formal issues, along with descriptions of the organs ...
Don O. Franklin
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A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint
BACH: Journal of the Riemenschneider Bach Institute, 2022:Many aspects of J. S. Bach's pedagogical tradition remain relevant to current thinking in undergraduate music theory instruction. This essay draws inspiration from Bach as a teacher, particularly his systematic presentation of ideas and his preference ...
S. Marlowe
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arXiv.org
Music is inherently complex, with structures and interactions that unfold across multiple layers. Complex networks have emerged as powerful structures for the quantitative analysis of Western classical music, revealing significant features of its ...
Dima Mrad, Sara Najem
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Music is inherently complex, with structures and interactions that unfold across multiple layers. Complex networks have emerged as powerful structures for the quantitative analysis of Western classical music, revealing significant features of its ...
Dima Mrad, Sara Najem
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Intonation for Cello in the Music of J. S. Bach
BACH: Journal of the Riemenschneider Bach Institute, 2022:In this article I describe my journey into the world of intonation and temperament. Intonation stems from the desire to play or sing "in tune," which, over the course of centuries, gradually shifted its focus from pure intervals to an emphasis primarily
Jaap ter Linden
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