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J. S. Bach, Multiple “Parallel Proportions,” and US Tax Enforcement
BACH: Journal of the Riemenschneider Bach Institute:“Parallel proportions” in J. S. Bach’s music—the division of movements or pieces into groups with the same total number of measures, in 1:1 and other simple proportions—are mathematically inevitable; they are not the meaningful compositional acts that ...
Daniel R. Melamed
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J. S. Bach, the Viola da Gamba, and Temperament in the Early Eighteenth Century
BACH: Journal of the Riemenschneider Bach Institute, 2022:J. S. Bach's extant works for viola da gamba (or viol) include the well-known arias in the St. Matthew Passion and the St. John Passion; the three sonatas for viol and harpsichord (BWV 1027–1029); the Brandenburg Concerto No.
Loren Ludwig
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A “New” J. S. Bach Chorale-Aria? “Sende, Herr, den Segen ein” from Ihr Tore zu Zion BWV 193
BACH: Journal of the Riemenschneider Bach Institute:The autograph score of J. S. Bach’s cantata Ihr Tore zu Zion BWV 193 is lost, and even extant parts are incomplete. Several scholars have attempted to supplement or reconstruct the work.
Zoltán Göncz, Richard S. Robinson
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J. S. BACH'S CELLO SUITES FOR GUITAR, ARRANGED BY KOJIRO KOBUNE: COMPARATIVE ANALYSIS
Arts education and science, 2022This article is devoted to the textual analysis of the arrangement of J. S. Bach cello suites for guitar. Japanese composer and conductor Kojiro Kobune was the first to transcribe the entire cycle.
D. Tatarkin
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Venetian Three-Voice Ripieno String Scoring in J. S. Bach’s Early Concerted Works
BACH: Journal of the Riemenschneider Bach Institute:In this study, I argue that when Johann Sebastian Bach traveled to Dresden in the fall of 1717 to take part in a keyboard contest with the French claveciniste Louis Marchand, he encountered Venetian composers at the electoral court whose music had a ...
Gregory Butler
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Voice of the Dance: J. S. Bach and Other Classics in the Maksimova-Vasiliev Film Fouetté (1986)
BACH: Journal of the Riemenschneider Bach Institute, 2022:Russian cinema of the 1980s, dark, gritty, and heavily politicized, has until recently been analyzed by both scholars and critics primarily for its message. That is, it has been seen as a kind of documentary reportage, unleashing upon its Soviet viewers
Olga Haldey
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J. S. Bach and the Mystical Tradition
Lutheran Quarterly:The essay understands mysticism as a form of spirituality and theology centered on overcoming the separation between the creator and creation here and now and argues that we find this kind of spirituality in several texts which Bach put to music.
Volker Leppin
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Tone-painting the Mysterious: The "Et expecto" from J. S. Bach's Mass in B Minor
BACH: Journal of the Riemenschneider Bach Institute, 2022:The Credo of Bach's Mass in B Minor, probably uniquely among masses of his time, includes a double-setting of the verse "Et expecto resurrectionem mortuorum"—first as an Adagio containing Bach's most tonally disorienting enharmonicism, then as an ...
J. Lester
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Cultural code
This article is devoted to the study of the formation and development of authentic (historically informed) interpretation of sonatas and partitas for violin solo by Johann Sebastian Bach in concert violin performance of the XX-XXI centuries.
Alexandra Viktorovna Ustugova
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This article is devoted to the study of the formation and development of authentic (historically informed) interpretation of sonatas and partitas for violin solo by Johann Sebastian Bach in concert violin performance of the XX-XXI centuries.
Alexandra Viktorovna Ustugova
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BACH: Journal of the Riemenschneider Bach Institute, 2022
:In the early 1960s, Pier Paolo Pasolini, already one of the leading intellectuals of postwar Italy, embarked on a remarkable career as a film director that included Accattone (1961) and Il Vangelo Secondo Matteo (The Gospel According to St.
Mark Brill
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:In the early 1960s, Pier Paolo Pasolini, already one of the leading intellectuals of postwar Italy, embarked on a remarkable career as a film director that included Accattone (1961) and Il Vangelo Secondo Matteo (The Gospel According to St.
Mark Brill
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