Results 281 to 290 of about 3,778,150 (354)
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Another Woody: J. S. Bach in Dixieland
BACH: Journal of the Riemenschneider Bach Institute, 2022:no matter what the season was,this was still a townthat existed in black and whiteand pulsated to the great tunesof George Gershwin.This statement by Woody Allen's character Isaac Davis from the beginning of Manhattan (1979) reads like a poem and ...
P. Broman
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‘PARALLEL PROPORTIONS’ IN J. S. BACH'S MUSIC
Eighteenth-Century Music, 2021Recent studies propose that J. S. Bach established ‘parallel proportions’ in his music – ratios of the lengths of movements or of pieces in a collection intended to reflect the perfection of divine creation. Before we assign meaning to the number of bars
Daniel R. Melamed
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A Violinist's Viewpoint: Performing J. S. Bach's Chaconne in Bobbi Jene Smith's Broken Theater
BACH: Journal of the Riemenschneider Bach Institute:This article brings together my personal reflections on performing J. S. Bach's Chaconne from the Violin Partita No. 2 in D Minor BWV 1004 in the work of choreographer Bobbi Jene Smith, with critical discussions of the Chaconne's nineteenth- and ...
Keir GoGwilt
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TO THE QUESTION OF THE ORIGINAL IDEA OF THE CELLO SUITES NO. 5 AND NO. 6 BY J. S. BACH
Arts education and science, 2022This article analyzes the two final cello suites of the Bach cycle BWV 1007–1012 from the viewpoint of their original instrumental affiliation. The author conducted a textual study of the autograph of the Lute Suite g-moll BWV 995, which is considered to
D. Tatarkin
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BACH: Journal of the Riemenschneider Bach Institute, 2022
:Johann Sebastian Bach's settings of the passion originated in a cultural context that was rich with numerous forms of devotion to the Passion of Christ.
Markus Rathey
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:Johann Sebastian Bach's settings of the passion originated in a cultural context that was rich with numerous forms of devotion to the Passion of Christ.
Markus Rathey
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The Organ in J. S. Bach’s St. Matthew Passion
BACH: Journal of the Riemenschneider Bach Institute:Since the late nineteenth century, scholars have formulated theories about the role and placement of organs in the St. Matthew Passion, using them to interpret the work’s theological message and anchor broader ideas about how Bach positioned his other ...
Derek Stauff
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BACH: Journal of the Riemenschneider Bach Institute, 2022
:Only recently have Bach's use of multiple tonalities, different pitch levels, and unequal temperament been given both serious consideration and practical application in the performance of his sacred vocal works.
Geoffrey Burgess
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:Only recently have Bach's use of multiple tonalities, different pitch levels, and unequal temperament been given both serious consideration and practical application in the performance of his sacred vocal works.
Geoffrey Burgess
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The Lutheran “Credo” in J. S. Bach’s Mass in B Minor
BACH: Journal of the Riemenschneider Bach Institute:In this article I argue that the “Credo” from Bach’s Mass in B Minor is marked by music whose counterpoint puts a decisive Lutheran spin on the work’s broadly Christian verbal text, and I also argue, from new liturgical and manuscript evidence, that ...
Michael Marissen
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Popular Music in the Time of J. S. Bach: The Leipzig Mandora Manuscript
BACH: Journal of the Riemenschneider Bach Institute, 2022Research on music-making in Leipzig in the first part of the eighteenth century has traditionally focused on composers such as Johann Kuhnau, Georg Philipp Telemann, and Johann Sebastian Bach, all of whom were associated with institutions.
Gary Sampsell
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Bach at the Barre: An Annotated List of Choreographies Using J. S. Bach's Violin Ciaccona (Chaconne)
BACH: Journal of the Riemenschneider Bach Institute:The finale of the Violin Partita No. 2 in D Minor BWV 1004, to which Bach assigns the title "Ciaccona," has lived an independent life ever since its first important public performance in 1840.
Raymond Erickson
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