Results 21 to 30 of about 3,778,150 (354)

Off the beaten track: An exploration of Bach reception in the Slovenian lands in the nineteenth century

De Musica Disserenda, 2015
Evidence of the presence of J. S. Bach in the Slovenian lands in the first half of the nineteenth century is limited to a few fleeting references to his name in contemporary periodicals.
Tanja Kovačević
doaj   +1 more source

Kontinuiteter i spillOm habitusdannelse og institusjonelle baner ved Musik-Konservatoriets elevkonserter

Studia Musicologica Norvegica, 2022
Artikkelen drøfter elevkonsertene ved Musik-Konservatoriet i Kristiania i perioden 1885–1896 med tanke på studentenes habitusdannelse og institusjonelle baner.
Anders Førisdal
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Boston University Women's Chorale and Concert Choir, October 14, 2006 [PDF]

, 2006
This is the concert program of the Boston University Women's Chorale and Concert Choir performance on Saturday, October 14, 2006 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Wenn Sorgen auf mich dringen from "Ach Gott,
School of Music, Boston University
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The St Matthew Passion: J . S. Bach Music School and Auditorium

Interstices, 2000
N ...
Sue Gallagher
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Semantics of fugue themes in the context of figurative distinctiveness of J. S. Bach’s cycle “Three Sonatas and Three Partitas for Violin Solo”

Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education, 2022
The statement of problem. The article is an attempt to comprehend the semantic originality of the text of three Fugues in Bach’s Sonatas for solo violin. Despite the fact that J. S.
Ihor Andriievskyi
semanticscholar   +1 more source

Probability and Style in the Chorales of J. S. Bach

Empirical Musicology Review, 2015
This paper discusses de Clercq’s (2015) contribution to our understanding of the relationship between scale degree and cadence type within Bach chorales from the perspective of style and probability.
Matthew Woolhouse
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Dance and Its Importance in Bach’s Suites for Solo Cello

Musical Offerings, 2010
Before J. S. Bach, the cello was rarely used as a solo instrument. With his suites for solo cello, however, Bach took the instrument out of the background of dance accompaniment and basso continuo, and placed it on the center stage for musical audiences.
Audrey Hebson
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To the Problem of Arrangements and Interpretations of J. S. Bach's Polyphonic Works on the Bandura

Collection of scientific works "Notes on Art Criticism", 2022
The purpose of the article. To designate the features of arrangements and perform interpretation of J. S. Bach's polyphonic works on the bandura. The methodology of the research is based on a systematic analytical approach with the allocation of musical ...
A. Yeremenko, N. Yeremenko
semanticscholar   +1 more source

Aspectos retóricos da ária Quia respexit humilitatem, do Magnificat em Ré maior de J. S. Bach BWV 243 Rhetorical aspects of the aria Quia respexit humilitatem, from Magnificat in D major by J. S. Bach BWV 243

Per Musi, 2008
A Retórica teve um papel essencial na produção artística do século XVI ao século XVIII ao ditar sistematicamente a estruturação formal e a utilização de elementos figurativos em um discurso para fortalecer sua eloqüência.
Isabela de Figueiredo Santos
doaj   +1 more source

A Model for Scale-Degree Reinterpretation: Melodic Structure, Modulation, and Cadence Choice in the Chorale Harmonizations of J. S. Bach

Empirical Musicology Review, 2015
This paper reports a corpus study of the 371 chorale harmonizations by J. S. Bach. Specifically, this study investigates what kinds of events are typical at phrase endings given various melodic conditions, i.e., how well melodic structure is a predictor ...
Trevor de Clercq
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