Results 31 to 40 of about 3,778,150 (354)

J. S. Bach’ın BWV 851 Numaralı Prelüd ve Fügünün Formel ve Tonal Analizi

open access: yesNecmettin Erbakan Üniversitesi Ahmet Keleşoğlu Eğitim Fakültesi Dergisi, 2020
Müzikte Barok dönem olarak anılan periyodun en önemli bestecilerinden biri J. S. Bach’dır. Alman müziğinin en önemli bestecilerinden biri olan Bach, özellikle füg formunu doruğuna çıkarmıştır.
İsmail Sınır
doaj  

CHORALE «ES IST GENUG»: From J. S. BACH TO E. DENISOV

open access: yesУченые записки Российской академии музыки имени Гнесиных, 2022
The article analyzes a number of works written in the chorale «Es ist genug». The tune has received symbolic meaning in the musical culture of different eras — from the Baroque to the present day.
Irina S. Stogniy
semanticscholar   +1 more source

Fluid Biomarkers of Disease Burden and Cognitive Dysfunction in Progressive Supranuclear Palsy

open access: yesAnnals of Clinical and Translational Neurology, EarlyView.
ABSTRACT Objective Identifying objective biomarkers for progressive supranuclear palsy (PSP) is crucial to improving diagnosis and establishing clinical trial and treatment endpoints. This study evaluated fluid biomarkers in PSP versus controls and their associations with regional 18F‐PI‐2620 tau‐PET, clinical, and cognitive outcomes.
Roxane Dilcher   +10 more
wiley   +1 more source

Guest Artist Concert Early Music Series: Richard Boothby, viola da gamba, Shalev Ad-El, harpsichord, January 13, 1998 [PDF]

open access: yes, 1998
This is the concert program of the Guest Artist Concert Early Music Series: Richard Boothby, viola da gamba, Shalev Ad-El, harpsichord performance on Tuesday, January 13, 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core  

Unidirectional Tape‐Based Composites from Hemp and Pineapple Leaf Fiber: Mechanical Performance in Conventional and Bio‐Based Matrices

open access: yesAdvanced Engineering Materials, EarlyView.
The study investigates novel semi‐finished products made of unidirectionally arranged hemp or pineapple leaf fiber‐reinforced composites produced from different matrices. The materials are analyzed in terms of their mechanical and interfacial properties and void content.
Nina Graupner   +22 more
wiley   +1 more source

Fast/Major and Slow/Minor pairings in J.S. Bach's Well Tempered Clavier Books 1 and 2

open access: yesEmpirical Musicology Review, 2012
Some studies have found that subjects give higher preference ratings and clearer emotional descriptions to pieces with the tempo/mode pairs fast/major and slow/minor.
Katelyn Horn, Eugenia Costa-Giomi
doaj   +1 more source

PRELUDE AND FUGUE IN G MINOR FOR ORGUE BY J.S. BACH IN ACCORDION INTERPRETATION [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2023
The article is dedicated to the peculiarities of interpreting on the accordion the transcription of a polyphonic creation from universal literature – Prelude and Fugue in G minor, BWV 535, by J. S. Bach, written originally for the organ.
ȘTIUCA, PETRU
doaj  

An Evening of Baroque Chamber Music, December 11, 1986 [PDF]

open access: yes, 1986
This is the concert program of the Evening of Baroque Chamber Music performance on Thursday, December 11, 1986 at 1986, at the Concert Hall, 855 Commonwealth Avenue. Works performed were Paris Quartet in A major by Georg Philipp Telemann, Sonata No. 1 in
School of Music, Boston University
core  

Gait Analysis of Pak Biawak: A Necrobot Lizard Built using the Skeleton of an Asian Water Monitor (Varanus Salvator)

open access: yesAdvanced Robotics Research, EarlyView.
Pak Biawak, a necrobot, embodies an unusual fusion of biology and robotics. Designed to repurpose natural structures after death, it challenges conventional boundaries between nature and engineering. Its movements are precise yet unsettling, raising questions about sustainability, ethics, and the untapped potential of biointegrated machines.
Leo Foulds   +2 more
wiley   +1 more source

Derek Adlam, Clavichord and Fortepiano, February 17, 1984 [PDF]

open access: yes, 1984
This is the concert program of the Derek Adlam, Clavichord and Fortepiano performance on Friday, February 17, 1984 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Toccata I by Johann Jakob Froberger, Suite I by J.
School of Music, Boston University
core  

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