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Information bulletin / FIRT, IFTR ; SIBMAS = Bulletin d'information / FIRT, IFTR ; SIBMAS [PDF]

open access: yes, 2006
International Association of Libraries and Museums of the Performing Arts
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Tourism and Theatre [PDF]

open access: yes, 1974
Gabler, Hans Walter, Kuhn, Ortwin
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Environmental degradation in Jacobean drama

Choice Reviews Online, 2013
In Environmental Degradation in Jacobean Drama, Bruce Boehrer provides the first general history of the Shakespearean stage to focus primarily on ecological issues. Early modern English drama was conditioned by the environmental events of the cities and landscapes within which it developed.
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Strangeness in Jacobean Drama

2020
Callan Davies presents “strangeness” as a fresh critical paradigm for understanding the construction and performance of Jacobean drama—one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how ...
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Livy in Early Jacobean Drama

Translation and Literature, 2005
In an earlier issue of this journal (Vol. 13, 2004), I examined the reception of the Roman historian Livy in Elizabethan and Jacobean England through Philemon Holland's translation. I argued that Livy was a more controversial and thought-provoking writer in this period than has hitherto been supposed.
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Environmental Degradation in Jacobean Drama

The European Legacy, 2015
London’s population more than tripled in the sixteenth century, and the increase slowed only a little under James’s reign.
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Moral Experiments in Jacobean Drama

1989
If Measure for Measure can be interpreted in this way, it would be seen not as unique, but as fitting into a distinct pattern, and a very precise time-scale. As I argue elsewhere (1980, 1988), the beginning of James I’s reign saw a startling new interest, in the best plays of the ablest playwrights, in the idea of moral subversion. Earlier plays had of
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Elemental Anxieties in Jacobean Drama

2022
This thesis explores how playwrights William Shakespeare and John Fletcher use the language of the classical elements, water, fire, earth, and air, to express early modern people's hopes and fears regarding the trajectory of the British nation. In particular, I analyze how Shakespeare and Fletcher use elemental language in their plays, Pericles, Two ...
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