Results 31 to 40 of about 8,471 (157)
Pink Stockings, Yellow Stockings: the Use of Pink-Yellow in Marston and Shakespeare
E-REA, 2015 John Marston (c. 1576-1634), William Shakespeare’s younger contemporary, wrote plays such as The Malcontent (c. 1604) that are performed today: his satirical comedy What You Will (published 1607) is not one of these.
Anita BUTLER
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Elegy, prophecy, and politics: literary responses to the death of Prince Henry Stuart, 1612-1614 [PDF]
, 2017 This article examines literary responses to the death of Prince Henry Stuart. These texts were written by figures from across the religious and political spectrum.
Streete, Adrian
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‘There Has Been a Scandal’: Cultural Performers and the Strangers’ Churches of London
Renaissance Studies, EarlyView.ABSTRACT Despite what one might assume to have been a rigid line between London's refugee community—with its strict brand of Protestantism—and the city's performance cultures—often the target of strict Protestants' ire—historical records reveal a number of overlaps between those domains.
Matteo Pangallo
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Prophetic Promise: The Lineal Return of ‘lopp’d branches’ in Shakespeare’s Cymbeline
Renaissance Studies, Volume 40, Issue 1, Page 55-75, February 2026.Abstract This paper identifies the early‐modern conception of prophecy as a word‐magic performed across generations, a verbal promise that anticipates its own realisation in posterity. Just as Francis Bacon upheld the generative force of prophetic utterances by noting their ‘springing and germinant accomplishment throughout many ages’, Shakespeare’s ...
Rana Banna
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‘What are these faces?’ Interpreting Bearded Women in Macbeth [PDF]
, 2008 Brett D. Hirsch, “ ‘What are these faces?’ Interpreting Bearded Women in Macbeth.” Renaissance Drama and Poetry in Context: Essays for Christopher Wortham. Ed. Andrew Lynch and Anne M. Scott. Newcastle-upon-Tyne: Cambridge Scholars Press, 2008.
Brett Greatley-Hirsch
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Journal of Advances in Modeling Earth Systems, Volume 17, Issue 12, December 2025.Abstract In this study, an Accelerated Discrete Ordinate Method (ADOM) is proposed to enhance the computational efficiency of multi‐layer radiative transfer (RT) simulations while maintaining a high accuracy. ADOM applies the Discrete Ordinate Method (DOM) only in scattering layers, while the radiances for the adjacent clear‐sky layers are merged and ...
Yi‐Ning Shi, Fuzhong Weng
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Anglo-Ottoman Anxieties in the Tempest: from Displacement to Exclusion
Caliban: French Journal of English Studies, 2014 Bien que la dernière pièce de Shakespeare, La Tempête, ne fasse pas d'allusion directe aux Ottomans, sa lecture coloniale, certainement justifiable, n'exclut nullement d’autres interprétations.
Irina Kantarbaeva-Bill
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Renaissance Studies, Volume 39, Issue 5, Page 612-631, November 2025.Abstract In early modern England, as part of a broader interrogation of exemplarity, full‐scale works on the Trojan War often subjected the myth’s heroes to humorous scrutiny, whereas the heroines remained surprisingly untouched by comedy. Testifying to the war’s calamities already in antiquity, in the early modern period, the myth’s women acquired a ...
Evgeniia Ganberg
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Brain and Behavior, Volume 15, Issue 6, June 2025.This study used NODDI to identify white matter microstructure alterations in older adults with dyslipidemia, revealing significantly reduced neurite density in several brain regions. These reductions were linked to declines in cognitive and motor functions, suggesting that NODDI may serve as a biomarker for dyslipidemia‐related axonal degeneration ...
Zaimire Mahemuti +12 more
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Alterity and Assimilation in Jonson's Masques of Blackness and Beauty: «I, with so much strength / Of argument resisted» [PDF]
, 2004 Las piezas teatrales de Ben Jonson, The Masque of Blackness y The Masque of Beauty, contienen discursos secundarios sobre la naturaleza de la «alteridad» de la raza negra en la Inglaterra del siglo XVII, que reflejan las tensiones sociales existentes con
Over, William
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