Results 31 to 40 of about 8,452 (156)
Pink Stockings, Yellow Stockings: the Use of Pink-Yellow in Marston and Shakespeare
John Marston (c. 1576-1634), William Shakespeare’s younger contemporary, wrote plays such as The Malcontent (c. 1604) that are performed today: his satirical comedy What You Will (published 1607) is not one of these.
Anita BUTLER
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Prophetic Promise: The Lineal Return of ‘lopp’d branches’ in Shakespeare’s Cymbeline
Abstract This paper identifies the early‐modern conception of prophecy as a word‐magic performed across generations, a verbal promise that anticipates its own realisation in posterity. Just as Francis Bacon upheld the generative force of prophetic utterances by noting their ‘springing and germinant accomplishment throughout many ages’, Shakespeare’s ...
Rana Banna
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‘What are these faces?’ Interpreting Bearded Women in Macbeth [PDF]
Brett D. Hirsch, “ ‘What are these faces?’ Interpreting Bearded Women in Macbeth.” Renaissance Drama and Poetry in Context: Essays for Christopher Wortham. Ed. Andrew Lynch and Anne M. Scott. Newcastle-upon-Tyne: Cambridge Scholars Press, 2008.
Brett Greatley-Hirsch
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Abstract In this study, an Accelerated Discrete Ordinate Method (ADOM) is proposed to enhance the computational efficiency of multi‐layer radiative transfer (RT) simulations while maintaining a high accuracy. ADOM applies the Discrete Ordinate Method (DOM) only in scattering layers, while the radiances for the adjacent clear‐sky layers are merged and ...
Yi‐Ning Shi, Fuzhong Weng
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Alterity and Assimilation in Jonson's Masques of Blackness and Beauty: «I, with so much strength / Of argument resisted» [PDF]
Las piezas teatrales de Ben Jonson, The Masque of Blackness y The Masque of Beauty, contienen discursos secundarios sobre la naturaleza de la «alteridad» de la raza negra en la Inglaterra del siglo XVII, que reflejan las tensiones sociales existentes con
Over, William
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Abstract In early modern England, as part of a broader interrogation of exemplarity, full‐scale works on the Trojan War often subjected the myth’s heroes to humorous scrutiny, whereas the heroines remained surprisingly untouched by comedy. Testifying to the war’s calamities already in antiquity, in the early modern period, the myth’s women acquired a ...
Evgeniia Ganberg
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Anglo-Ottoman Anxieties in the Tempest: from Displacement to Exclusion
Bien que la dernière pièce de Shakespeare, La Tempête, ne fasse pas d'allusion directe aux Ottomans, sa lecture coloniale, certainement justifiable, n'exclut nullement d’autres interprétations.
Irina Kantarbaeva-Bill
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This study used NODDI to identify white matter microstructure alterations in older adults with dyslipidemia, revealing significantly reduced neurite density in several brain regions. These reductions were linked to declines in cognitive and motor functions, suggesting that NODDI may serve as a biomarker for dyslipidemia‐related axonal degeneration ...
Zaimire Mahemuti +12 more
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Ants Oras: Did He Know Russian “Formalists”? [PDF]
The article compares two approaches to studying line segmentation in verse. Line segmentation probably corresponded to pauses in declamation. The Estonian scholar Ants Oras studied syntactic breaks in Elizabethan dramas using punctuation as a signal of a
Tarlinskaja, Marina
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Abstract Guided by Foucault's concept of “discursive formations,” the study reported here draws on primary archival and secondary source material to examine how French has been discursively shaped in England and in relation to English. Unpacking sociohistorical constructions of sameness–difference offers a productive frame to explore ideological ...
Simon Coffey
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