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Art Journal, 2022
the eventual enactment of limited moralrights protections in the United States with the passage of the Visual Artists Rights Act in 1990. Chapter 5 focuses on the complex relationship between the public and private in spaces like privately own public ...
T. Lamarre
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the eventual enactment of limited moralrights protections in the United States with the passage of the Visual Artists Rights Act in 1990. Chapter 5 focuses on the complex relationship between the public and private in spaces like privately own public ...
T. Lamarre
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positions: asia critique, 2019
Imamura Taihei (1911–86) is considered by many to be the first film theorist in Japan, and he is known chiefly for his two grand theories on documentary film and animation. Yet, at the same time, Imamura also developed a third, no less ambitious theory, that of “Cinema and Japanese Art,” in which he specified the national characteristics of Japanese ...
Rea Amit
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Imamura Taihei (1911–86) is considered by many to be the first film theorist in Japan, and he is known chiefly for his two grand theories on documentary film and animation. Yet, at the same time, Imamura also developed a third, no less ambitious theory, that of “Cinema and Japanese Art,” in which he specified the national characteristics of Japanese ...
Rea Amit
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A Companion to Japanese Cinema
Quarterly Review of Film and Video, 2022Kathe Geist
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In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan’s film industry. Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film) tradition, including Ishii Gakuryu ...
M. Player
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M. Player
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Routledge Handbook of Japanese Cinema
2020Introduction Part I. Decentering Classical Cinema: Modernity, Translation, and Mobilization 1. Suspense and Border Crossing: Ozu Yasujiro's Crime Melodrama Ryoko Misono (translated by Kimberlee Diane Sanders and Shota T. Ogawa) 2. Beyond Mt. Fuji and the Lenin Cap: Identity Crisis in Taniguchi Senkichi's Akasen kichi (The Red Light Military Base, 1953)
J. Bernardi, Shota Ogawa
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Questions of Japanese Cinema: Disciplinary Boundaries and the Invention of the Scholarly Object
Learning Places, 2002M. Yoshimoto
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The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema
Journal of Screenwriting, 2023Japanese cinema in the early twenty-first century has seen the emergence of Japanese-language films written by non-Japanese screenwriters. The arrival of these screenwriters and screenplays complicates existing discourses on ‘nation’ and the ...
A. McAulay
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Memory Studies, 2023
In recent decades, the field of memory studies has shown increasing interest in the reconstruction of the past through the lens of cinema. The ongoing “war for memory” or “history problem,” as it is otherwise known, in East Asia vis-à-vis the memory of ...
Esteban Córdoba-Arroyo
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In recent decades, the field of memory studies has shown increasing interest in the reconstruction of the past through the lens of cinema. The ongoing “war for memory” or “history problem,” as it is otherwise known, in East Asia vis-à-vis the memory of ...
Esteban Córdoba-Arroyo
semanticscholar +1 more source