Results 181 to 190 of about 1,095,148 (240)

The end of Japanese cinema: industrial genres, national times, and media ecologies

Visual Studies, 2019
Like the consent not to be a single being series as awhole,The UniversalMachine remarkably displays an intriguingmix of critical theory and visual/sonic/textual synaesthesia, with a penchant for Afro-pessimism.
J. Rendell
semanticscholar   +1 more source

Scenario writers and scenario readers in the Golden Age of Japanese cinema

Journal of Screenwriting, 2016
Lauri Kitsnik
exaly   +2 more sources

Japanese Cinema

2007
List of figures List of contributors Acknowledgements Introduction ALASTAIR PHILLIPS AND JULIAN STRINGER 1. The Salary Man's Panic Time: Ozu Yasujiro's I Was Born, But... (1932) ALASTAIR PHILLIPS 2. All For Money: Mizoguchi Kenji's Osaka Elegy (1936) MORI TOSHIE 3.
openaire   +1 more source

Environment, struggle, isolation: An ecocritical look at Italian and Japanese cinema after the Second World War

Journal of Italian Cinema & Media Studies
The article proposes a comparative discussion from an ecocritical perspective of two Italian and two Japanese films produced between the end of the Second World War and the publication of Rachel Carson’s Silent Spring (1962): La terra trema by ...
Stefano Locati
semanticscholar   +1 more source

Japanese Cinema as Cultural Diplomacy in Spanish-Speaking Latin America

Asian Studies
While epistemic communities have traditionally been examined in security and policy advice, in this paper I argue that film critics, curators, academics and cultural organiz­ers likewise form epistemic communities in film diplomacy, whose interpretative ...
Daniel Veloza-Franco
semanticscholar   +1 more source

Living as an Onna in Japanese Cinema

Feminist Media Histories, 2019
This essay situates the impossible volume of Japanese pink filmmaker Hamano Sachi's more than three hundred films as a reproductive labor, arguing that through its iterative enactments her filmmaking practice performs renewals that invigorate her life as
Kimberly Icreverzi
semanticscholar   +1 more source

Japanese Cinema in the Digital Age

Choice Reviews Online, 2012
exaly   +3 more sources

Japanese Cinema

2011
Japanese film became a major area of English-language film study in the 1960s, after the publication of Anderson and Richie’s groundbreaking work, The Japanese Film: Art and Industry, in 1959 (see Anderson and Richie 1982, cited under Film History). Although Japanese cinema is one of the oldest continuous traditions of filmmaking in the world, with ...
openaire   +1 more source

Naturalism and the Modernization of Japanese Cinema

Dialectics without Synthesis, 2020
openaire   +2 more sources

Cultural Exchange through Film: Analyzing Chinese Audiences’ Reception of Japanese and South Korean Cinema

SAGE Open
This study empirically examines the cultural soft power effectiveness of Japanese and Korean films in China, focusing on the audience attraction mechanism from the perspective of cultural diplomacy.
Muhammad Yaqoub, Ze Gao
semanticscholar   +1 more source