Results 1 to 10 of about 100 (86)
Establishing the production chronology of the iconic Japanese woodblock print ‘Red Fuji’ [PDF]
First printed in 1831, ‘Red Fuji' by Hokusai is one the most iconic Japanese woodblock prints and thousands of impressions were printed from its original set of woodblocks, often in different colour schemes and using different printing effects for different editions. The aim of our research was to systematically study these variations and determine the
Capucine Korenberg +3 more
doaj +4 more sources
In the present work, a complete non-invasive scientific investigation of six Utagawa Kunisada’s woodblock prints (nishiki-e) belonging to the Oriental Art Museum “E. Chiossone” (Genoa, Italy), was performed in situ.
Marco Gargano +6 more
doaj +3 more sources
Ukiyo-e Japanese woodblock prints were mass-produced in the Edo Period and early impressions of a given print are generally of higher quality and more sought after by connoisseurs than late impressions.
Capucine F. Korenberg +3 more
doaj +3 more sources
This study explores the evolution of the manufacturing process of artificial arsenic sulfide pigments in Edo-period Japan through the analysis of three impressions of the same print dated from the 1830s and attributed to Katsushika Hokusai (1760–1849 ...
Marc Vermeulen, Marco Leona
doaj +3 more sources
Natural and Synthetic Arsenic Sulfide Pigments in Japanese Woodblock Prints of the Late Edo Period [PDF]
Abstract We recently described the use of an artificial arsenic sulfide pigment in Japanese woodblock prints from the Meiji period (1868–1912): we now expand on our previous work by investigating arsenic sulfide pigments used in Japanese woodblock prints of the late Edo period (1615–1868) and early Meiji period.
Stephanie Zaleski, Marco Leona
exaly +3 more sources
Background Understanding the cognitive mechanisms and decision-making processes involved in aesthetic judgement of visual art has become a growing focus in recent research. While eye movements have been strongly associated with impression evaluations, the underlying processes linking gaze behaviour and aesthetic
Antoni B Chan, Yuka Nojo
exaly +4 more sources
This article concerns the likely source of an erotic image from Valery Bryusov’s hoax poem collection Stikhi Nelli (Nelli’s Poems). It shows that the image of an octopus copulating with a woman in the culmination of the poem “Nochnoi ropot” (“Night ...
Pavel Uspensky
doaj +1 more source
Introduction. The article examines the Chinese written source Xiyu wenjian lu 西域闻见录 (‘Record of Things Seen and Heard in the Western Regions’) by the Manchu official Qishiyi (Chunyuan) and its data on the history and ethnography of Central Asian peoples
Natalya E. Karimova, Temur E. Tulibayev
doaj +1 more source
This study combines scientific and connoisseurship approaches to establish a production chronology of 141 woodblock prints from Katsushika Hokusai’s series Thirty-Six Views of Mount Fuji belonging to different cultural institutions in Europe and the ...
Marc Vermeulen +6 more
doaj +1 more source
Abstract Objective This review is a general outline to have a proper understanding of Japanese Kampo medicine from my point of view. Background What is the basis of medical care? The answer is how to capture the signals emitted by the living body. In western medicine, diagnosis with a disease name is required for medical therapy to acquire a medical ...
Koichiro Tatsumi
wiley +1 more source

