Results 11 to 20 of about 566 (141)
Big Transfer Learning for Fine Art Classification
Automatic classification and retrieval of fine art collections have received much attention in recent years. In this article, we explore the applicability of convolutional neural networks (CNNs) for art‐related image classification tasks. To examine how hyperparameters affect model performance, we use different hyperparameters in our experiments and ...
Wentao Zhao +3 more
wiley +1 more source
Ukiyo-e Japanese woodblock prints were mass-produced in the Edo Period and early impressions of a given print are generally of higher quality and more sought after by connoisseurs than late impressions.
Capucine F. Korenberg +3 more
doaj +1 more source
Intangible cultural heritage has a unique value. It is very important to evaluate and discover the value of intangible cultural heritage. Therefore, referring to the relevant references of countries around the world, this paper compares the research status of countries around the world with the development trend of China’s intangible cultural heritage,
Lingling Xiao, Baiyuan Ding
wiley +1 more source
Analysis on the Inner Relationship between Computer Digital Painting and Traditional Painting
With the rapid development of information technology, human civilization has brought painting art into the computer digital age again and computer digital painting has emerged. In this paper, the art perspective of the overall overview, comparative analysis and classification methods, and digital painting as one of the categories of painting art ...
Shi Yin, M. Praveen Kumar Reddy
wiley +1 more source
This study explores the evolution of the manufacturing process of artificial arsenic sulfide pigments in Edo-period Japan through the analysis of three impressions of the same print dated from the 1830s and attributed to Katsushika Hokusai (1760–1849 ...
Marc Vermeulen, Marco Leona
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Surface Enhanced Raman Scattering (SERS) has become an invaluable tool for the identification of colorants in artworks, due to its enhanced sensitivity and ability to quench fluorescence interference compared to Raman spectroscopy.
Abeer Alyami +2 more
doaj +1 more source
A widespread belief among scholars and connoisseurs of the Japanese color woodblock print (nishiki-e) holds that synthetic dyes were imported from the West in the 1860s, and soon came to be used for all nishiki-e colorants during the Meiji period. These “
Anna Cesaratto +3 more
doaj +1 more source
The technique of traditional Japanese woodblock print as interpreted by contemporary artists
Drzeworyt japoński rozwijał się w Kraju Kwitnącej Wiśni od wielu lat i nieustannie zachwyca swoim pięknem oraz perfekcją w wykonaniu. Największym atutem dzieła sztuki jest jego technika wykonania.
Bożyk, Marta
core +1 more source
Plant Dye Identification in Japanese Woodblock Prints
(Uploaded by Plazi from the Biodiversity Heritage Library) No abstract provided.
Derrick, Michele +2 more
openaire +2 more sources
Variations in Hiroshige’s Print “The Plum Garden at Kameido”
This work examines variations in Utagawa Hiroshige’s “The Plum Garden at Kameido” by studying 82 surviving impressions of the print. Through comparative analysis, differences were observed across printings, driven by changes in woodblocks, block wear ...
Capucine Korenberg
doaj +1 more source

