Results 91 to 100 of about 566 (141)

Imayo oshie kagami [picture] : Kameya Chubee /

open access: yes
880-03 Title from item; stamped 'Shorindo', and 'Yokokawa Chochiku'.; 880-04 The name of the actor in print is estimated as Hachidai Kataoka Nizaemon -- from vendor's reference.; Also available in an electronic version via the internet: http://nla.gov ...
880-01 Utagawa, Toyokuni, 1786-1865, artist.
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The woman warrior in japanese woodblock print of Edo period and Meiji era (1603 - 1912)

open access: yes
From the beginning of the Edo period, the printmaking technique experienced a tremendous rise thanks to the development of the publishing industry. Artists experimented with this medium and multiplied their subjects, ranging from everyday life to classical literature and theatre, all of which came from what the population called ‘the floating world ...
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PREFERRED LIGHTING FOR UKIYO-E, JAPANESE WOODBLOCK PRINT PAINTINGS

CIE x050:2023 Proceedings of the 30th Session of the CIE, Ljubljana, Slovenia, September 15 – 23, 2023, Volume 1, 2023
In most cases the appearance of cultural properties depends on surface colours, materials and lighting conditions. This study aims to clear the preferred lighting conditions for the appearance of specific cultural properties named Ukiyo-e, Japanese woodblock print paintings.
S. Okuda   +3 more
exaly   +2 more sources

Optical sensing of parameters crucial for Japanese woodblock print making

Optical Review, 2010
Traditional Japanese woodblock printing is a centuries old art form. This time-honoured form of art is at risk of extinction as a consequence of the increasing lack of availability of wild cherry trees, which are a traditionally used woodblock material. Solutions for this material problem have been investigated for several years, but none of the tested
Tommi Kaplas   +2 more
exaly   +2 more sources

OPTIMUM ACCESS AT MINIMUM RISK: THE DILEMMA OF DISPLAYING JAPANESE WOODBLOCK PRINTS

Studies in Conservation, 2008
AbstractThis paper describes the evaluation of the lighting policy that the National Museum of Ethnology in Leiden, Netherlands, developed for the display of its nineteenth-century Japanese woodblock prints. Colour measurements during one year on exhibition showed changes that exceeded the limit of one 'just noticeable change' in 50 years specified in ...
Agnes W. Brokerhof   +6 more
exaly   +2 more sources

Interactive System for Character Segmentation of Woodblock-Printed Japanese Historical Book Images

2013 International Conference on Culture and Computing, 2013
This paper proposes an interactive system for analyzing digitized woodblock-printed Japanese historical books. This system includes stain and smear removal, background separation, character line extraction, and character extraction by region labeling with integration and separation techniques.
Chulapong Panichkriangkrai   +1 more
exaly   +2 more sources

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