Print: South Wind at Clear Dawn (Gaifu Kaisei)
Woodblock print of Mt. Fuji, out of the series "Thirty-six views of Mt. Fuji" by Hokusai, 19th century Japanese artist.
Hokusai
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Enter a Digital Archive of 213,000+ Beautiful Japanese Woodblock Prints
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Between journeys : woodblock prints and the Japanese tradition.Susan Rushforth
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The woman warrior in japanese woodblock print of Edo period and Meiji era (1603 - 1912)
From the beginning of the Edo period, the printmaking technique experienced a tremendous rise thanks to the development of the publishing industry. Artists experimented with this medium and multiplied their subjects, ranging from everyday life to classical literature and theatre, all of which came from what the population called ‘the floating world ...
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Honcho Suikoden goyu happyakunin no hitori : Eda Genzo Hirotsuna /
Title from the print.; Also available online at: http://nla.gov.au/nla.pic-vn6254068. The prints depicts a young man fighting with a long-handled sword, against many soldiers of the opponent. His one leg is standing on a horizontal frame of the building.
880-01 Utagawa, Kuniyoshi, 1798-1861, artist.
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Study on the off-gassing and storage environment in the conservation of Japanese woodblock prints
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Facsimile Through Xylography: Japanese Woodblock-Printed Painting Manuals in Belgian Institutions
This presentation examines Japanese woodblock-printed painting manuals from the mid-17th to early 20th centuries, focusing on two Belgian collections held at UCLouvain (Louvain-la-Neuve) and the Royal Museum of Art and History (Brussels). Produced to teach, document artistic lineages, and entertain, these manuals later acquired new meanings in Western ...
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Recent Activities towards Establishing a Center for the Study of Japanese Woodblock Prints (2)
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Recent Activities towards Establishing a Center for the Study of Japanese Woodblock Prints (1)
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Optical Sensing of Parameters Crucial for Japanese Woodblock Print Making
Optical Review, 2010Traditional Japanese woodblock printing is a centuries old art form. This time-honoured form of art is at risk of extinction as a consequence of the increasing lack of availability of wild cherry trees, which are a traditionally used woodblock material. Solutions for this material problem have been investigated for several years, but none of the tested
Raimo Silvennoinen, Tommi Kaplas
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