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PREFERRED LIGHTING FOR UKIYO-E, JAPANESE WOODBLOCK PRINT PAINTINGS

CIE x050:2023 Proceedings of the 30th Session of the CIE, Ljubljana, Slovenia, September 15 – 23, 2023, Volume 1, 2023
In most cases the appearance of cultural properties depends on surface colours, materials and lighting conditions. This study aims to clear the preferred lighting conditions for the appearance of specific cultural properties named Ukiyo-e, Japanese woodblock print paintings.
S. Okuda   +3 more
openaire   +1 more source

Andreas Marks: Japanese Woodblock Prints (1680–1938)

2021
Asien, Nr. 154/155 (2020): ASIEN (Januar/April)
openaire   +1 more source

Character Image Database of Woodblock-Printed Japanese Historical Book Images

2015 International Conference on Culture and Computing (Culture Computing), 2015
This paper describes a database designed for assisting the work of transcription of digitized woodblock-printed Japanese historical books. The database system manages information about character segmentation results and transcription data, which are obtained by using our character segmentation and transcription systems.
Chulapong Panichkriangkrai   +4 more
openaire   +1 more source

Optical sensing of parameters crucial for Japanese woodblock print making

Optical Review, 2010
Traditional Japanese woodblock printing is a centuries old art form. This time-honoured form of art is at risk of extinction as a consequence of the increasing lack of availability of wild cherry trees, which are a traditionally used woodblock material. Solutions for this material problem have been investigated for several years, but none of the tested
Tommi Kaplas   +5 more
openaire   +1 more source

OPTIMUM ACCESS AT MINIMUM RISK: THE DILEMMA OF DISPLAYING JAPANESE WOODBLOCK PRINTS

Studies in Conservation, 2008
AbstractThis paper describes the evaluation of the lighting policy that the National Museum of Ethnology in Leiden, Netherlands, developed for the display of its nineteenth-century Japanese woodblock prints. Colour measurements during one year on exhibition showed changes that exceeded the limit of one 'just noticeable change' in 50 years specified in ...
Agnes W. Brokerhof   +6 more
openaire   +1 more source

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