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Optical Sensing of Parameters Crucial for Japanese Woodblock Print Making
Optical Review, 2010Traditional Japanese woodblock printing is a centuries old art form. This time-honoured form of art is at risk of extinction as a consequence of the increasing lack of availability of wild cherry trees, which are a traditionally used woodblock material. Solutions for this material problem have been investigated for several years, but none of the tested
Raimo Silvennoinen, Tommi Kaplas
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Optimum Access at Minimum Risk: The Dilemma of Displaying Japanese Woodblock Prints
Studies in Conservation, 2008AbstractThis paper describes the evaluation of the lighting policy that the National Museum of Ethnology in Leiden, Netherlands, developed for the display of its nineteenth-century Japanese woodblock prints. Colour measurements during one year on exhibition showed changes that exceeded the limit of one 'just noticeable change' in 50 years specified in ...
Agnes W. Brokerhof +6 more
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Conservation Work in Progress on the Claude Monet Collection of Japanese Woodblock Prints at Giverny
Studies in Conservation, 1988*This table is taken from the author's thesis, 'Japanese papers (wash i) used in the conservation of western prints and drawings, study and critical analyses', Institut Francais de Restauration des Oeuvres d'Art, Paris, 1984. This thesis was based on the study, testing and comparison of 17 different Japanese papers, half of them available in Europe ...
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East Asian Publishing and Society
Abstract This article examines the presence of Japanese woodblock prints within the context of state-sponsored exhibitions during the Meiji era (1868–1912). Although the Meiji government organized five National Industrial Exhibitions at irregular intervals, woodblock prints were exclusively showcased at those organized in 1877 and 1881.
Freya Terryn
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Abstract This article examines the presence of Japanese woodblock prints within the context of state-sponsored exhibitions during the Meiji era (1868–1912). Although the Meiji government organized five National Industrial Exhibitions at irregular intervals, woodblock prints were exclusively showcased at those organized in 1877 and 1881.
Freya Terryn
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Yoshida Hiroshi: a Japanese artist in India: woodblock prints from the Lahiri Collection
, 2020 In 1930, the Japanese artist Yoshida Hiroshi (1876–1950) spent several months travelling in India and Southeast Asia. After his return to Japan he produced a series of 32 woodblock prints inspired by his travels. A leading figure in the ‘shin-hanga’ (new print) movement, which contributed to the renewal of Japanese printmaking after the end of the ...
Pollard, C, Kumbera Landrus, M
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Guide to Modern Japanese Woodblock Prints: 1900-1975
Choice Reviews Online, 1992exaly +2 more sources
PREFERRED LIGHTING FOR UKIYO-E, JAPANESE WOODBLOCK PRINT PAINTINGS
CIE x050:2023 Proceedings of the 30th Session of the CIE, Ljubljana, Slovenia, September 15 – 23, 2023, Volume 1, 2023In most cases the appearance of cultural properties depends on surface colours, materials and lighting conditions. This study aims to clear the preferred lighting conditions for the appearance of specific cultural properties named Ukiyo-e, Japanese woodblock print paintings.
S. Okuda +3 more
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