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Recent Activities towards Establishing a Center for the Study of Japanese Woodblock Prints (1)

Ukiyo-e art, 1984
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OPTIMUM ACCESS AT MINIMUM RISK: THE DILEMMA OF DISPLAYING JAPANESE WOODBLOCK PRINTS

Studies in Conservation, 2008
AbstractThis paper describes the evaluation of the lighting policy that the National Museum of Ethnology in Leiden, Netherlands, developed for the display of its nineteenth-century Japanese woodblock prints. Colour measurements during one year on exhibition showed changes that exceeded the limit of one 'just noticeable change' in 50 years specified in ...
Agnes W. Brokerhof, Margrit Reuss, Fiona MacKinnon, Frank Ligterink, Han Neevel, Farideh Fekrsanati, Graeme Scott   +6 more
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Conservation work in progress on the Claude Monet collection of Japanese woodblock prints at Giverny

Studies in Conservation, 1988
*This table is taken from the author's thesis, 'Japanese papers (wash i) used in the conservation of western prints and drawings, study and critical analyses', Institut Francais de Restauration des Oeuvres d'Art, Paris, 1984. This thesis was based on the study, testing and comparison of 17 different Japanese papers, half of them available in Europe ...
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Assessing Collection Silence: Access to Japanese Woodblock Prints at Twenty-Two American University Museums

, 2018
This descriptive study returned to the 22 participant institutions of the ASIANetwork / Luce Asian Art Consultancy program (2005–2008) to question the narrative of Japanese woodblock prints through the organization and accessibility of their collections.
Folks, Madison
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The Changing Faces of Japanese Woodblock Prints

2005
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7. The Global Scope of Extreme Collecting: Japanese Woodblock Prints on the Internet

2022
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