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2023
As jazz was starting to gain traction in American popular culture, numerous individuals sought to take advantage of the music’s growing popularity. The relatively nebulous state of knowledge about this new form presented an opportunity for authors and publishers to capitalize on these developments, In the process, they sought to construct particular ...
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As jazz was starting to gain traction in American popular culture, numerous individuals sought to take advantage of the music’s growing popularity. The relatively nebulous state of knowledge about this new form presented an opportunity for authors and publishers to capitalize on these developments, In the process, they sought to construct particular ...
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2022
This chapter surveys Buck and Bubbles’s career in the early 1930s. During this period, the two actors reached the peak of their popularity and critical acclaim. At the same time, vaudeville, their customary meal ticket, was declining while Black jazz was attracting more and more adherents.
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This chapter surveys Buck and Bubbles’s career in the early 1930s. During this period, the two actors reached the peak of their popularity and critical acclaim. At the same time, vaudeville, their customary meal ticket, was declining while Black jazz was attracting more and more adherents.
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Latin Jazz, Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just … Jazz
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2021
The question “what is jazz?” has been asked regularly since the origins of this music in the early 20th century. Over this time, jazz has undergone many changes, but certain characteristics—such as a particular kind of syncopated rhythm, improvisation, and tonal harmony—have remained more or less constant.
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The question “what is jazz?” has been asked regularly since the origins of this music in the early 20th century. Over this time, jazz has undergone many changes, but certain characteristics—such as a particular kind of syncopated rhythm, improvisation, and tonal harmony—have remained more or less constant.
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2020
This chapter explores how Latin jazz is positioned and named and the primary discursive contestations associated with the genre. What is focused on in particular is how musicians exert agency by manipulating generic boundaries as a negotiative tool. With a focus on two prominent bandleaders as case studies, Arturo O’Farrill and Ray Barretto, discursive
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This chapter explores how Latin jazz is positioned and named and the primary discursive contestations associated with the genre. What is focused on in particular is how musicians exert agency by manipulating generic boundaries as a negotiative tool. With a focus on two prominent bandleaders as case studies, Arturo O’Farrill and Ray Barretto, discursive
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Ethnomusicology Forum, 2017
Jazz Worlds/World Jazz is an illuminating volume that investigates the sonic diaspora of jazz and its fusion with indigenous music in diverse cultures worldwide.
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Jazz Worlds/World Jazz is an illuminating volume that investigates the sonic diaspora of jazz and its fusion with indigenous music in diverse cultures worldwide.
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This chapter both draws on and seeks to extend recent interdisciplinary scholarship in music and disability studies by looking at the case of jazz. It is in two parts, focusing first on discussing aspects of jazz as a music of disability, from its earliest days on.
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