Results 21 to 30 of about 16,142 (221)
Abstract The article focuses on specific forms, characters and types of ‘primary rejection’ or refusal that emerged in German subculture and deviant counterculture in the 1960s and 1970s, rejecting the cultural norms of mainstream society. Beginning with socially distinctive figures such as the layabout and the commune‐dweller, the article examines ...
Sara Bangert
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Limiares: Histoire(s) du cinéma de Jean-Luc Godard
Neste artigo apresentamos a série videográfica Histoire(s) du cinéma, de Jean Luc Godard, apontamos as suas principais características, e efetuamos um primeiro exame da ordenação dos seus dois primeiros episódios.
Henri Gervaiseau
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A Psychoanalysis of Milk: The Case of Alfred Hitchcock
Critical Quarterly, Volume 63, Issue 2, Page 50-79, July 2021.
Matthew Beaumont
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Para Fernando Fascioli, CEO/Gerente General de McCann-Erickson Perú, al momento de contar “historias comerciales” el referente de la publicidad debe ser Steven Spielberg y no Arnold Schwarzenegger o Jean-Luc Godard.
Matías Gómez Balarini
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Resumo: através do estudo da obra cinematográfica de Jean-Luc Godard e de seus escritos sobre o cinema, esse texto procura colocar em relevo certos aspectos do pensamento do cineasta que constituem uma verdadeira teoria da adaptação.
Anita Leandro
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The television series Six fois deux émissions télévision cinéma (1976) and France tour détour deux enfants (1978), written, producted and directed by Jean-Luc Godard and Anne-Marie Miéville, retain, after half a century, much of their poetic and ...
Alberto Scandola
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King Lear, de Jean-Luc Godard: uma tragédia?
The article discusses Shakespeare's King Lear fIlmic translationladaptation by Jean-Luc Godard as a transformationlnegation of genre. It also shows that the tilmmaker's non-conventional treatment oftheme and forro changes the play into a "mock-fIlm".
Thais Flores Nogueira Diniz
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Emociones y sentimientos. La construcción social del amor (Luisa Abad González y Juan Antonio Flores Martos, Ed.) [PDF]
En 1965, Jean-Luc Godard hacía hablar en Pierrot le fou a un Jean Paul Belmondo que habitaba la piel de Ferdinand, un profesor de Lengua Española que viaja huyendo sin rumbo junto a la joven Marianne, interpretada por Anna Karina.
Lorenzo Mariano Juárez
doaj
Este artigo contrasta Histoire(s) du cinéma de Jean-Luc Godard e Cabra Marcado Para Morrer de Eduardo Coutinho, estão engajadas com a questão da autoria no cinema.
Cecília Sayad
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Philosophy as a Kind of Cinema: Introducing Godard and Philosophy
"Jean-Luc Godard is nothing if not an enigma. His image has a life of its own, especially in its younger form: cigarette, sunglasses, smirk, rambling revolutionary slogans, and important books.
John E. Drabinski
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