Results 31 to 40 of about 337 (173)
O que é uma comunidade de cinema?
Revista Eco-Pós, 2015 A partir da caracterização da comunidade désÅ“uvré (inoperante ou inativa), feita por Jean-Luc Nancy, este artigo discute como o cinema contemporâneo tem imaginado outras formas de criar a vida em comum, ao inventar -- com a especificidade de seus ...
César Geraldo Guimarães
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Jean-Luc Godard: „Pogarda” – obecność bogów
Kwartalnik Filmowy, 2003 Autor przywołuje słowa będące mottem filmu Pogarda J.-L. Godarda, wg opowiadania Morawii: Film jest substytutem innego spojrzenia na świat, świat taki, jaki chcielibyśmy, aby był. „Pogarda” jest historią tego świata.
Andrzej Michalski
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Między upokorzeniem, nudą a męczeństwem – Jeana-Luca Godarda portrety filmowców
Kwartalnik Filmowy, 2001 Mazierska pisze, że filmowiec jako główny bohater pojawił się w filmie Godarda zaledwie cztery lata po jego debiucie, a postać ta pojawia się i znika w twórczości twórcy Do utraty tchu do dziś.
Ewa Mazierska
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ArtCultura, 2018 As imagens na história e na escrita da história, a partir do século XX, tiveram um papel central nas pesquisas e obras audiovisuais de Marc Ferro. Histoire Parallèle, programa de televisão que apresentou entre 1989 e 2001, demonstrou, de forma ampla, o ...
Sheila Schvarzman
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European Journal of Philosophy, Volume 34, Issue 2, Page 545-558, June 2026.Abstract What norms govern aesthetic conversations? In Hansen and Adams (2024), we argue for a norm we call, following Stanley Cavell, “the hope of agreement”, along with a requirement of “seriousness”, the “discipline of accounting for one's judgments”.
Nat Hansen, Zed Adams
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Área Abierta, 2018 El cine de Jean-Luc Godard apuesta desde el principio por la búsqueda de un lenguaje depurado y renovador, en el que el conocimiento científico ocupa un papel bastante destacado. En particular, el realizador ha asimilado e incorporado satisfactoriamente
José Luis López Fernández
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Subsistence Through Disappearance: Theology of the Unseen in the Films of Michelangelo Antonioni
Future Humanities, Volume 4, Issue 1, May 2026.ABSTRACT The present study contends that the theology of Michelangelo Antonioni's 1960s cinema is structured by a reductio ad absurdum logic, whereby the presence of certain qualities is proven by the portrayal of their absence. It is argued that Antonioni's intention to show what is by specifying what is not may have been rooted in a modernist ...
Vuk Uskoković
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Les 4000 logements de La Courneuve : réalités et imaginaires cinématographiques
Cahiers d’histoire, 2006 Le film Deux ou trois choses que je sais d’elle de Jean-Luc Godard (1967) constitue une étape importante dans la représentation de la banlieue parisienne.
Aurélie Cardin
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Examining equity in service use across socioeconomic status in people with dementia
Alzheimer's &Dementia: Behavior &Socioeconomics of Aging, Volume 1, Issue 1, March 2025.Abstract INTRODUCTION Inequities associated with socioeconomic status (SES) manifest across dementia outcomes; however, research investigating service use across SES in people with dementia is scarce. METHODS We conducted a repeated yearly cohort study of community‐dwelling people in Quebec with incident dementia (2000–2017), using health ...
Claire Godard‐Sebillotte +7 more
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Literature Compass, Volume 21, Issue 1-3, January-March 2024.Abstract The notion of “New Sincerity” has become central to the study of David Foster Wallace's prose over the years. The present article explores how the tonal arrangement that characterises the movement has lived on to influence contemporary art, examining Bo Burnham's popular comedy musicals as a notable example of this influence.
Sergio Lopez‐Sande
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