Results 21 to 30 of about 337 (173)

"La publicidad cuenta historias que deben ser apetitosas, entretenidas y memorables". Entrevista a Fernando Fascioli

open access: yesDixit, 2015
Para Fernando Fascioli, CEO/Gerente General de McCann-Erickson Perú, al momento de contar “historias comerciales” el referente de la publicidad debe ser Steven Spielberg y no Arnold Schwarzenegger o Jean-Luc Godard.
Matías Gómez Balarini
doaj   +1 more source

Godard contra a Adaptação

open access: yesAletria: Revista de Estudos de Literatura, 2001
Resumo: através do estudo da obra cinematográfica de Jean-Luc Godard e de seus escritos sobre o cinema, esse texto procura colocar em relevo certos aspectos do pensamento do cineasta que constituem uma verdadeira teoria da adaptação.
Anita Leandro
doaj   +1 more source

The Anti-television of Jean-Luc Godard and Anne-Marie Miéville: Six fois deux émissions télévision cinéma (1976) and France tour détour deux enfants (1978)

open access: yesCinergie, 2023
The television series Six fois deux émissions télévision cinéma (1976) and France tour détour deux enfants (1978), written, producted and directed by Jean-Luc Godard and Anne-Marie Miéville, retain, after half a century, much of their poetic and ...
Alberto Scandola
doaj   +1 more source

A Psychoanalysis of Milk: The Case of Alfred Hitchcock

open access: yes, 2021
Critical Quarterly, Volume 63, Issue 2, Page 50-79, July 2021.
Matthew Beaumont
wiley   +1 more source

King Lear, de Jean-Luc Godard: uma tragédia?

open access: yesAletria: Revista de Estudos de Literatura, 1995
The article discusses Shakespeare's King Lear fIlmic translationladaptation by Jean-Luc Godard as a transformationlnegation of genre. It also shows that the tilmmaker's non-conventional treatment oftheme and forro changes the play into a "mock-fIlm".
Thais Flores Nogueira Diniz
doaj   +1 more source

Emociones y sentimientos. La construcción social del amor (Luisa Abad González y Juan Antonio Flores Martos, Ed.) [PDF]

open access: yesAntropólogos Iberoamericanos en Red, 2011
En 1965, Jean-Luc Godard hacía hablar en Pierrot le fou a un Jean Paul Belmondo que habitaba la piel de Ferdinand, un profesor de Lengua Española que viaja huyendo sin rumbo junto a la joven Marianne, interpretada por Anna Karina.
Lorenzo Mariano Juárez
doaj  

Authorship in the interstices of history, biography, reality and memory: Histoire(s) du Cinema and Cabra Marcado para Morrer

open access: yesSignificação: Revista de Cultura Audiovisual, 2006
Este artigo contrasta Histoire(s) du cinéma de Jean-Luc Godard e Cabra Marcado Para Morrer de Eduardo Coutinho, estão engajadas com a questão da autoria no cinema.
Cecília Sayad
doaj   +1 more source

Philosophy as a Kind of Cinema: Introducing Godard and Philosophy

open access: yesJournal of French and Francophone Philosophy, 2010
"Jean-Luc Godard is nothing if not an enigma. His image has a life of its own, especially in its younger form: cigarette, sunglasses, smirk, rambling revolutionary slogans, and important books.
John E. Drabinski
doaj   +1 more source

Farklı Türden Bir Star: Jean-Luc Godard (1930-2022)

open access: yesTürkiye Film Araştırmaları Dergisi, 2022
Bu yazı, 2022 yılının Eylül ayında hayatını kaybeden dünya sinema tarihine yön veren Fransız yönetmen Jean-Luc Godard’ın anısına yazılmıştır. Sinema kariyerine eleştirmen olarak başlayan Godard, son nefesine kadar sinemadan kopmamıştır.
Mhemet Emre Gül
doaj  

‘EINEN FILM DREHEN’: TECHNOPOLITICAL TURNS AND THE RENDERING OPERATIONAL OF SUBJECTIVITY IN FAROCKI'S LEBEN–BRD (1990) AND PETZOLD'S BARBARA (2012)

open access: yesGerman Life and Letters, Volume 79, Issue 3, Page 396-418, July 2026.
ABSTRACT This article analyses the ‘Gestus’ of turning in films by Harun Farocki and Christian Petzold, in light of a central claim of Andrew Webber's esteemed theoretical work on film: that film has the power to uncover unconscious processes through which subjects come into being and are made operational for political regimes.
Annie Ring
wiley   +1 more source

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