Results 71 to 80 of about 16,142 (221)

Ut pictura poesis. De One plus One aux « Godardesques » dans l’art contemporain (IIe partie)

open access: yesCahiers ERTA
The article deals with Jean-Luc Godard's interventions in the multimedia arts, known as « fraternal arts », and « ut pictura poesis » to reconsider the audiovisual juxtaposition of fiction and ...
Kamil Lipiński
doaj   +1 more source

As relações entre as artes: por uma arqueologia da intermidialidade

open access: yesAletria: Revista de Estudos de Literatura, 2006
O ensaio investiga o conceito da Intermidialidade a partir dos Estudos Interartes e ilumina desenvolvimentos, desde o tratado de G. E. Lessing, de formas diferentes de interação entre duas ou mais mídias: dois casos românticos, a relação palavraimagem ...
Walter Moser
doaj   +1 more source

No se ve, no se siente

open access: yesChasqui, 2015
Hace reminiscencias de lo que fue la época anterior a la implementación de las nuevas tecnologías, época de grandes corresponsales de guerra que sentían y vivían los conflictos y eran capaces de sumergirnos en las miserias y grandezas de la condición ...
José Steinslefer
doaj   +1 more source

Le contrôle de l'Univers: la dialettica del potere nelle Histoire(s) du cinéma di Jean-Luc Godard

open access: yesRicerche di S/Confine, 2010
In Histoire(s) du cinéma, Jean-Luc Godard finally connects his human being’s existence with history of cinema as uncontrollable stream of images, as a system of screens and mirrors that our experience produces and from which it is produced.
Michele Guerra
doaj  

Alphaville: onde mora o processo criativo?

open access: yesManuscrítica
A Nouvelle Vague é um dos movimentos cinematográficos mais influentes do século XX. Afastando-se do surrealismo, os filmes da Nouvelle Vague francesa procuraram abraçar temas socialmente relevantes.
Ricardo Oliveira Rocha, Marcelo Rubio
doaj   +1 more source

Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard by Albertine Fox

open access: yesAlphaville: Journal of Film and Screen Media, 2019
Enfant terrible, celluloid deity,and self-construed “composer” of film, Jean-Luc Godard requires scant introduction in any undertaking that concerns the on-screen arts.
Caitríona Walsh
doaj   +1 more source

The shudder of a cinephiliac idea? Videographic film studies practice as material thinking [PDF]

open access: yes, 2014
Long after the advent of the digital era, while most university-based film studies academics still choose to publish their critical, theoretical and historical research in conventional written formats, a small but growing number of scholars working on ...
Grant, Catherine
core   +3 more sources

'A bout de souffle' de Jean-Luc Godard

open access: yesVivat Academia, 2006
Reseña.
Jesús Miguel Sáez-González
doaj   +1 more source

L’Ici et l’Ailleurs en Méditerranée : reconfigurations cartographiques d’une région du monde dans les cinémas de Jean-Luc Godard, Jean-Daniel Pollet et Tariq Teguia

open access: yesInterfaces
This paper explores the cartographic gestures of Jean-Luc Godard, Jean-Daniel Pollet, and Tariq Teguia by analyzing the circulation of referents and representations of the Mediterranean in several of their films.
Célia Jerjini
doaj   +1 more source

Trwanie w trybie umierania – ślady obecności autora w „Histoire(s) du cinéma” Jean-Luca Godarda

open access: yesKwartalnik Filmowy, 2018
Praca jest próbą analizy Histoire(s) du cinéma (1988-1998) Jean-Luca Godarda pod kątem problemu autorstwa filmowego. Uznając dzieło za wyjątkowy przykład autobiografii, autor w swym tekście zmierza do ustalenia, za pomocą jakich strategii oraz w jakiej ...
Kevin Kołeczek
doaj   +1 more source

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