Results 11 to 20 of about 2,098 (189)

Yankev Shternberg and the modernization of Yiddish theatre in interwar Romania [PDF]

open access: yesDiversitate si Identitate Culturala in Europa, 2021
The end of the First World War brought the theatre audience back to the performance halls. The Yiddish theater, with a few decades of experience and an already assured popularity, was already considered to be the vector for the preservation and ...
Camelia CRĂCIUN
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Teatr żydowski w świetle «Izraelity» w latach 1883–1905

open access: yesPamiętnik Teatralny, 1992
This article concerns all references to Yiddish theater in the Polish-language Jewish periodical Izraelita which had been printed after the banning of performances in Yiddish.
Mirosława Bułat
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Summary

open access: yesPamiętnik Teatralny, 1992
Summary of Pamiętnik Teatralny 1992/1-4. The first part includes an account of the long process of working on this volume, the initial concept of which was born in 1964, as well as a description of the various circumstances that either paralyzed or ...
Maria Prussak
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«Rozsiani i rozrzuceni» («Cezejt un ceszprejt») Szolem Alejchema w Warszawie (1905 i 1910)

open access: yesPamiętnik Teatralny, 1992
The article reconstructs the history of Sholem Aleichem’s forgotten play Tsezeyt Un tseshpreht [Scattered and Dispersed], which, since its publication in the weekly Jidisze Folkscajtung (1903) and performances in theatres from Kovel to New York (1903 ...
Chone Szmeruk
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Pamięć o Zagładzie w perspektywie historyka teatru

open access: yesPrzestrzenie Teorii, 2015
In his Polski teatr Zagłady [The Polish Theater of the Holocaust], Grzegorz Niziołek, who starts with theater and specific theatrical performances and who focuses on artistic phenomena, presents problems that go far beyond art. This is a book that should
Jacek Popiel
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BUSINESS DOCUMENTATION AS RESEARCH SOURCE OF KYIV MUSIC ENVIROMENT IN LATE 19 — EARLY 20 c.

open access: yesКиївські історичні студії, 2020
The results of the study of Kyiv music environment in the late 19 — early 20 centuries are presented through the analysis of business documentation. The peculiarities of researching the music environment of cities and the experience of using different ...
Olha Musiiachenko
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Dramaturgical and Theological Issues Involved in Producing and Staging a Play in Jerusalem about the Disputation of Barcelona

open access: yesPerichoresis: The Theological Journal of Emanuel University, 2020
In the context of the launch of a new theater company whose mission is to bring entertaining theological content to audiences in and around Jerusalem, Roy Doliner’s Divine Right was chosen as the company’s first production.
Valier Yael
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رؤية علي أحمد باکثير المسرحية لإشکالية الصراع العربي الإسرائيلي [PDF]

open access: yesالمجلة العلمية لكلية التربية النوعية - جامعة المنوفية, 2016
مشکلة البحث: تبلورت مشکلة هذا البحث في السؤال الرئيس التالي: ما هي رؤية علي أحمد باکثير المسرحية في إشکالية الصراع العربي الإسرائيلي؟.. وذلک من خلال تحليل المضمون لنصوص مسرحياته التى تناولت هذه الإشکالية؟.
رندة يسري ثابت غالي   +1 more
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Abraham Goldfaden i teatr żydowski

open access: yesPamiętnik Teatralny, 1992
This article is devoted to the work of Abraham Goldfaden, taking into account in detail the origins of his work in Romania (making use of the Romanian press of the day) and in Russia.
Michael Taub
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“Moon Change”: Night Scenes and the Collision of the Personal and the Political in Tony Kushner’s Caroline, or Change (2004)

open access: yesMiranda: Revue Pluridisciplinaire du Monde Anglophone, 2020
The sung-through musical Caroline, or Change, written by American playwright Tony Kushner with music by Jeanine Tesori, garnered much critical acclaim when it first opened on Broadway in 2004.
Anouk Bottero
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