Results 21 to 30 of about 2,098 (189)
Pamiętnik Teatralny, 2022 Short editorial introduction to Pamiętnik Teatralny 71, no. 4 (2022).
Pamiętnik Teatralny
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„In der englischen Sprache zu schreiben war eigentlich eine Zumutung für mich“
Recherches Germaniques, 2019 George Tabori (1914-2007), playwriter, stage director and Georg Büchner Prize recipient in 1992, is considered to be one of the most emblematic figures of German theater from the 1980s and 1990s.
Dirk Weissmann
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New Directions for Higher Education, EarlyView.ABSTRACT Understanding collegiate norms and practices that promote sense of belonging among students who have traditionally been raced, gendered, stigmatized, and excluded as the ‘other’ in predominantly white institutions (PWI) is of paramount importance today as these efforts face increasingly antagonistic legislation, state policies, and ...
Nkenji K. Clarke +3 more
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The Not‐So‐Neue Frau: Weimar Berlin's Modern Women and Generational Identity After 1945
Gender &History, EarlyView.ABSTRACT This article studies the post‐1945 literary careers of Gabriele Tergit and Ilse Langner, two ageing German writers. Both had enjoyed promising careers as young women in Weimar Berlin, but Nazism and war disrupted their professional trajectories in varying ways. After 1945, they tried and failed to recapture their Weimar‐era success, eventually
Katharina Friege
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Polski Żyd: Jakub Appenszlak jako krytyk teatralny
Pamiętnik Teatralny, 1992 A profile of Jakub Appenszlak (1894–1950), the Yiddish theater critic who wrote in Polish and who during the interwar period published reviews of Yiddish and Polish theaters in the daily Nasz Przegląd, of which he was the Editor.
Joanna Godlewska
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Trauma, Testimony and Lower Secondary Holocaust Education in Rywka Lipszyc's and Otto Wolf's Diaries
Children &Society, EarlyView.ABSTRACT This article examines how Holocaust‐related trauma is represented in two diaries written by Jewish adolescents during the Second World War: Rywka Lipszyc's diary and Otto Wolf's diary. The article combines a thematically guided close reading of the diaries with a didactic discussion of their possible use in lower secondary literary education ...
Milan Mašát
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The Merchant in Venice: Shylock’s „Unheimlich” Return
Multicultural Shakespeare, 2017 The first decades of the new millennium have seen an odd return to origins in Shakespeare studies. The Merchant in Venice, a site-specific theatrical production realized during the 500th anniversary year of the “original” Jewish Ghetto, was not only a ...
Diana E. Henderson
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«Burza» Szekspira w Folks un Jugnt-Teater: Inscenizacja Leona Schillera (1938/39)
Pamiętnik Teatralny, 1992 The production of Shakespeare’s The Tempest staged by Leon Schiller with scenography by Władysław Daszewski in the Folks un Jugnt-Teater in Łodź (October 9th 1938) is considered to be one of the greatest achievements of Yiddish theatre in Poland.
Jerzy Timoszewicz
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SCENARIO: Journal for Performative Teaching, Learning, Research, 2016 The rubric Texts around Theatre features historical and contemporary cross-cultural and culture-specific perspectives on theatre – unexpectedly funky, unusually enthralling, disturbingly fascinating.
Grün, Lili
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Religious Participation After Covid‐19: Evidence From US Catholic Dioceses and Smartphone Data
Journal for the Scientific Study of Religion, EarlyView.ABSTRACT How do religious rules and regulations affect behavior? We examine this question using changes in Catholic regulations during the Covid‐19 pandemic combined with mobility data from 15 million smartphone users from 2019 to 2022. We first document overall trends: Total religious attendance declined sharply in March 2020 and thereafter recovered ...
Angela Cools +2 more
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