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Yearbook for Ritual and Liturgical Studies, 2021 Summary of the dissertation "Comfort in Luther and Bach. A Study of the Comforting Value of Martin Luther’s Church Songs and Interpretation of Comfort in the Choral Cantatas of Johann Sebastian Bach".
Lydia Vroegindeweij
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A presença do “stylus phantasticus” na Tocata BWV 912 de Johann Sebastian Bach
Revista Vortex, 2023 O stylus phantasticus foi um estilo de composição e de performance desenvolvido no século XVII e foi relacionado com a adoção da liberdade, tanto pelo compositor quanto pelo intérprete, para mover os afetos dos ouvintes, arrebatando-os por meio de um ...
Lucas Thomasi Genero, Helena Jank
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Christ lag in Todesbanden. Egy korál útja a középkortól Luther Mártonon át Johann Sebastian Bachig
Studia Universitatis Babeş-Bolyai. Theologia Reformata Transylvanica, 2021 Christ lag in Todesbanden (Christ Lay in the Bonds of Death). A Chorale’s Journey from the Middle Ages through Martin Luther to Johann Sebastian Bach.
Krisztián KOVÁCS
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Trans/Form/Ação, 2023 A música ocupa um lugar de destaque como um dos principais meios de imitação. A utilização da música como ferramenta para suscitar e representar afetos, preconizada desde os antigos, chega integralmente ao século XVIII, podendo ser observada claramente ...
KATIA KATO
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Antec, 2023 La presente investigación analiza los dos pasajes con arpegios de la Chacona en re menor, desde el enfoque Stevens Grip. Se exponen los conceptos básicos sobre la aplicación y la ejecución de la técnica Stevens para las diferentes articulaciones y ...
Cristhian Eduardo Mendoza Yllescas
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1. Period Influence on the Work of Johann Sebastian Bach
Review of Artistic Education, 2020 The work of Johann Sebastian Bach (1685 - 1750), significantly influences the work of the contemporary composers even almost 270 years after his death.
Medňanský Karol
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New Sources and Old Methods. Reconstructing and Applying the Music-Theoretical Paratext of Johann Sebastian Bach’s Compositional Pedagogy [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2019 In attempting to determine how Johann Sebastian Bach taught composition, this article draws on recent archival discoveries to claim that it was not the ornamented, vocal Choralgesänge, but the simpler, thoroughbass-centered Choralbuch style that played a
Derek Remeš
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Szymon Paczkowski’s comments on Steven Zohn’s review
Muzyka, 2019 Author's Response to Steven Zohn's Book Review of Szymon Paczkowski's Polish style in the music of Johann Sebastian ...
Szymon Paczkowski
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Promusika: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik, 2023 Artikel ini menyajikan hasil analisis struktur musik dan teknik penyajian “Partita in A Minor” (BWV 1013), karya Johann Sebastian Bach. Repertoar “Partita in A Minor” (BWV 1013), karya Johann Sebastian Bach aslinya digubah untuk solo flute, namun untuk ...
Anugrah Oktavianus Saragih +2 more
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4. Passion in the Work of Johann Sebastian Bach
Review of Artistic Education, 2016 Passions are exceptionally important in the works of Johann Sebastian Bach. His passion compositions are based particularly on Luther’s reformation, chiefly on developmental tendency which is based on the works of Johann Walter, Hans Leo Hassler and ...
Medňanský Karol
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