Results 51 to 60 of about 40,435 (205)

String Department Student Concert, March 15, 1990 [PDF]

open access: yes, 1990
This is the concert program of the String Department Student Concert performance on Thursday, March 15, 1990 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Suite No.
School of Music, Boston University
core  

Boston University Brass Ensemble, April 23, 2013 [PDF]

open access: yes, 2013
This is the concert program of the Boston University Brass Ensemble performance on Tuesday, April 23, 2013 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Truly, madly, deeply: Strategic entrepreneuring and the aesthetic practices of craft entrepreneurs

open access: yesStrategic Entrepreneurship Journal, Volume 18, Issue 4, Page 713-739, December 2024.
Abstract Research Summary Strategic entrepreneurship research has long focused on high growth and wealth maximization in the creation of primarily economic value. As such, it has largely overlooked craft entrepreneurs, who prioritize skill, materiality, and immersive action in creating broader forms of value.
Sara R. S. T. A. Elias   +2 more
wiley   +1 more source

Bach Competition Winners' Concert, January 28, 2014 [PDF]

open access: yes, 2014
This is the concert program of the Bach Competition Winners' Concert performance on Tuesday, January 28, 2014 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Partita No.
School of Music, Boston University
core  

Music next to Theology: The Impact and Influence of Martin Luther's Reformation on Johann Sebastian Bach

open access: yesMusical Offerings, 2019
The artistic figure and music of Johann Sebastian Bach looms large in the history of Western arts and culture. His influences were many, but one strong influence in his life's work was that of the Protestant Reformation and the theology of the Lutheran ...
James H. Ryan
doaj   +1 more source

Baroque Chamber Music, November 18, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Baroque Chamber Music performance on Sunday, November 18, 2001 at 7:00 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Tritt auf Glaubensbahn, from Cantata 152 by Johann Sebastian Bach, Canonie
School of Music, Boston University
core  

Consequentialism, Welfarism, and Meaning in Life

open access: yesPacific Philosophical Quarterly, Volume 105, Issue 4, Page 583-604, December 2024.
Abstract What, if anything, makes a life meaningful? Consequentialist theories about meaning in life maintain that the consequences of that life confer meaning upon it. This article advances one such theory: welfarism about meaning in life. According to this view, a life is conferred meaning if, and only if, and then only insofar as, it promotes or ...
Chad Mason Stevenson
wiley   +1 more source

Derek Adlam, Clavichord and Fortepiano, February 17, 1984 [PDF]

open access: yes, 1984
This is the concert program of the Derek Adlam, Clavichord and Fortepiano performance on Friday, February 17, 1984 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Toccata I by Johann Jakob Froberger, Suite I by J.
School of Music, Boston University
core  

The effect of music therapy and breathing exercise on anxiety and pain in patients undergoing coronary angiography: A randomized controlled study

open access: yesNursing in Critical Care, Volume 29, Issue 6, Page 1325-1333, November 2024.
Abstract Background For over 50 years, music therapy and breathing exercises have been widely utilized as interventions to help individuals cope with fatigue, stress and pain globally. Aim To analyse the effects of music and breathing exercises on anxiety and pain in patients undergoing coronary angiography.
Feryal Gauthier, Ülkü Güneş
wiley   +1 more source

Grundsätze zum Studium der Kompositionstechnik in den Fugen von Johann Sebastian Bach. 1. Teil [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2008
Im Gegensatz zu Fux’ Gradus ad Parnassum enthält Bachs etwa zur gleichen Zeit entstandenes Wohltemperiertes Klavier keine expliziten Regeln für die Komposition von Fugen.
Heinrich Deppert
doaj   +1 more source

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