Results 51 to 60 of about 502 (161)
O presente artigo discute a análise retórica do Largo do Concerto n.5 em Fá menor, BWV 1056 de Johann Sebastian Bach. No primeiro momento, é apresentada uma revisão dos princípios retóricos e de como eles se transportam à música. A seguir, é proposta uma
Pablo Alberto Lanzoni
doaj
Este artigo explora o papel da ornamentação na prática musical atual, utilizando como estudo de caso a Suíte para violoncelo nº 2 em Ré menor (BWV 1008) de Johann Sebastian Bach.
William Teixeira, Guilherme Ferreira
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Learning multi‐modal recurrent neural networks with target propagation
Abstract Modelling one‐to‐many type mappings in problems with a temporal component can be challenging. Backpropagation is not applicable to networks that perform discrete sampling and is also susceptible to gradient instabilities, especially when applied to longer sequences.
Nikolay Manchev, Michael Spratling
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Płytowe rejestracje kantat kościelnych Johanna Sebastiana Bacha
Kantaty kościelne Johanna Sebastiana Bacha zajmują szczególne miejsce wśród dzieł kompozytora. Będąc muzyką użytkową, przeznaczoną do wykonania w trakcie liturgii i służącą lepszemu zrozumieniu czytań biblijnych, są jednocześnie przykładem arcydzieł ...
Wiesław Delimat
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Religia czysto instrumentalna? Spór o muzykę Jana Sebastiana Bacha
It did not take Martin Luther long to accept instrumental music in the liturgy of the Church. Since then, many masterpieces of sacred and religious music were created in Protestantism in Germany, in ...
Józef Majewski
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Entre Kulturkritik et Cultural Studies : une réception « moralisée » de Jean‑Sébastien Bach ?
As part of a reflection on reception and intermedial studies, this essay takes a retrospective look at the process that led to the publication the book Black Bach or Who’s Afraid of Johann Sebastian? Cultural Values and (Anti)Humanism.
Frédéric Sounac
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Cortical activity during naturalistic music listening reflects short-range predictions based on long-term experience. [PDF]
Kern P +3 more
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Johann Sebastian Bach’s Kreuzstab Cantata (BWV 56): Identifying the Emotional Content of the Libretto [PDF]
Along with numerous other music theorists of the eighteenth century, Johann Joachim Quantz compares an expressive musical performance to the delivery of a persuasive speech by a distinguished orator.
Georg Corall
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Inmanencia y metafísica en El arte de la fuga de J. S. Bach
El Arte de la Fuga contiene elementos particulares definidos, que posibilitan establecer la hipótesis según la cual dentro de la obra de Johann Sebastian Bach, se encuentra un fondo metafísico original.
Juan Ignacio Arias Krause
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