Results 61 to 70 of about 998,240 (198)
Sonate für Violine und Klavier von Johann Sebastian Bach. Partitur, Abschr. durch Gugler (?).
SONATE FÜR VIOLINE UND KLAVIER VON JOHANN SEBASTIAN BACH. PARTITUR, ABSCHR. DURCH GUGLER (?). Sonate für Violine und Klavier von Johann Sebastian Bach. Partitur, Abschr.
Bach, Johann Sebastian
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Many musicologists have discussed the influence of Buxtehude’s ostinato compositions on Johann Sebastian Bach’s Passacaglia in C minor, BWV 582. But Johann Pachelbel’s Ciacona in D minor seems to have had a much stronger effect on it: this piece served ...
Katarina Larissa Peach
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ERIK BEHR Oboe DOCTORAL RECITAL Tuesday, March 22, 2005 8:00 p.m. Lillian H. Duncan Recital Hall
Playlist: Cantata No.12 "Weinen, Klagen, Sorgen, Sagen" BWV12 / Johann Sebastian Bach (1685-1750) -- Cantata No.82 "Ich habe genung" BWV 82 / Johann Sebastian Bach (1685-1750) -- Cantata No.21 "Ich hatte viel Bekummernis" BWV21 / Johann Sebastian Bach ...
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Drei Choräle für Singstimmen von Johann Sebastian Bach. Einzelstimmen, Abschr. von unbek. Hand
DREI CHORÄLE FÜR SINGSTIMMEN VON JOHANN SEBASTIAN BACH. EINZELSTIMMEN, ABSCHR. VON UNBEK. HAND Drei Choräle für Singstimmen von Johann Sebastian Bach. Einzelstimmen, Abschr. von unbek.
Bach, Johann Sebastian
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Religia czysto instrumentalna? Spór o muzykę Jana Sebastiana Bacha
It did not take Martin Luther long to accept instrumental music in the liturgy of the Church. Since then, many masterpieces of sacred and religious music were created in Protestantism in Germany, in ...
Józef Majewski
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The artistic figure and music of Johann Sebastian Bach looms large in the history of Western arts and culture. His influences were many, but one strong influence in his life's work was that of the Protestant Reformation and the theology of the Lutheran
James H. Ryan
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Entre Kulturkritik et Cultural Studies : une réception « moralisée » de Jean‑Sébastien Bach ?
As part of a reflection on reception and intermedial studies, this essay takes a retrospective look at the process that led to the publication the book Black Bach or Who’s Afraid of Johann Sebastian? Cultural Values and (Anti)Humanism.
Frédéric Sounac
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In 1947 Friedrich Smend has developed the theory about numerological symbolism in Bach’s music. In similar way to the cabalistic gematria, he discovered, the coinherence of symbolic name “Bach” as the number 14, and “J.S.Bach” as 41.
Filip Presseisen
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Inmanencia y metafísica en El arte de la fuga de J. S. Bach
El Arte de la Fuga contiene elementos particulares definidos, que posibilitan establecer la hipótesis según la cual dentro de la obra de Johann Sebastian Bach, se encuentra un fondo metafísico original.
Juan Ignacio Arias Krause
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