Results 61 to 70 of about 39,789 (204)
Yvonne Loriod and the Practice of Analytical Memory
Music Analysis, Volume 43, Issue 3, Page 331-379, October 2024.ABSTRACT The usefulness of music analysis in memorisation is well attested in music‐performance scholarship, even though the methods and processes of analytical memorisation are rarely documented and difficult to assess, especially in a historical perspective.
Peter Asimov, Christopher Brent Murray
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1998 Summer Concert Series Concert III: Unaccompanied Cello Music from Germany, June 10, 1998 [PDF]
, 1998 This is the concert program of the 1998 Summer Concert Series Concert III: Unaccompanied Cello Music from Germany performance on Wednesday, June 10, 1998 at 12:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were Suite No. 3 in C major
School of Music, Boston University
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WHAT ARE “TEMPORALITIES” IN HISTORY?
History and Theory, Volume 63, Issue 3, Page 444-451, September 2024.ABSTRACT The question of which “temporalities” underpinned historical processes in the past has increasingly become the focus of historical interest in recent years. In his brilliantly written study of Prussian history, Time and Power: Visions of History in German Politics, from the Thirty Years’ War to the Third Reich, Christopher Clark attempts to ...
Lucian Hölscher
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Bach Competition Winners' Concert, January 29, 2013 [PDF]
, 2013 This is the concert program of the Bach Competition Winners' Concert performance on Tuesday, January 29, 2013 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Partita No.
School of Music, Boston University
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Learning multi‐modal recurrent neural networks with target propagation
Computational Intelligence, Volume 40, Issue 4, August 2024.Abstract Modelling one‐to‐many type mappings in problems with a temporal component can be challenging. Backpropagation is not applicable to networks that perform discrete sampling and is also susceptible to gradient instabilities, especially when applied to longer sequences.
Nikolay Manchev, Michael Spratling
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Per Musi, 2013 O presente artigo discute a análise retórica do Largo do Concerto n.5 em Fá menor, BWV 1056 de Johann Sebastian Bach. No primeiro momento, é apresentada uma revisão dos princípios retóricos e de como eles se transportam à música. A seguir, é proposta uma
Pablo Alberto Lanzoni
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De Musica Disserenda, 2015 Many musicologists have discussed the influence of Buxtehude’s ostinato compositions on Johann Sebastian Bach’s Passacaglia in C minor, BWV 582. But Johann Pachelbel’s Ciacona in D minor seems to have had a much stronger effect on it: this piece served ...
Katarina Larissa Peach
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Boston University Early Music Series, January 27, 1995 [PDF]
, 1995 This is the concert program of the Boston University Early Music Series performance on Friday, January 27, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in C major for Flute
School of Music, Boston University
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Corpus Studies and ‘Close Listening’
Music Analysis, Volume 43, Issue 2, Page 191-246, July 2024.ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
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Carl Philipp Emanuel Bach: A Composer on the Fault Line of Ideological Change
Musical Offerings, 2020 While there has been a renewed interest in recent years on Carl Philipp Emanuel Bach and his place as a transitional figure in Western music history, little academic thought is given to his musical philosophy.
Stephen J. White
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