Results 81 to 90 of about 49,113 (245)

Boston University Early Music Series: Tamara Loring, harpsichord, April 10, 1987 [PDF]

open access: yes, 1987
This is the concert program of the Boston University Early Music Series: Tamara Loring, harpsichord performance on Friday, April 10, 1987 at 8:00 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Pavane, F# minor by Louis Couperin,
School of Music, Boston University
core  

Early Music: Colin Tilney, harpsichord, January 24, 1986 [PDF]

open access: yes, 1986
This is the concert program of the Early Music: Colin Tilney, harpsichord performance on Friday, January 24, 1986 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Boston University Women's Chorale and Concert Choir, October 14, 2006 [PDF]

open access: yes, 2006
This is the concert program of the Boston University Women's Chorale and Concert Choir performance on Saturday, October 14, 2006 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Wenn Sorgen auf mich dringen from "Ach Gott,
School of Music, Boston University
core  

Concert of Baroque Chamber Music, April 29, 1988 [PDF]

open access: yes, 1988
This is the concert program of the Concert of Baroque Chamber Music on Friday, April 29, 1988 at 5:00 p.m., at the Marshall Room, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Parameters of Stretto Use inside the Contrapunctus 5 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 5)

open access: yesRevue musicale OICRM, 2019
In this article, my objective is to attempt to connect all the simultaneous compositional processes that J. S. Bach combined in order to create the stretto forms inside the Contrapunctus 5 of the Art of Fugue.
Konstantinos G. Alevizos
semanticscholar   +1 more source

Faculty concert: William Sharp, baritone, Robert Merfeld, piano, Peter Zazofsky, violin, Michael Reynolds, cello [PDF]

open access: yes, 2000
This is the concert program of the Faculty Concert: William Sharp, baritone, Robert Merfeld, piano, Peter Zazofsky, violin, Michael Reynolds, cello performance on Thursday, March 23, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth ...
School of Music, Boston University
core  

Religia czysto instrumentalna? Spór o muzykę Jana Sebastiana Bacha

open access: yesStudia Religiologica
It did not take Martin Luther long to accept instrumental music in the liturgy of the Church. Since then, many masterpieces of sacred and religious music were created in Protestantism in Germany, in ...
Józef Majewski
doaj   +1 more source

Entre Kulturkritik et Cultural Studies : une réception « moralisée » de Jean‑Sébastien Bach ?

open access: yesRecherches & Travaux
As part of a reflection on reception and intermedial studies, this essay takes a retrospective look at the process that led to the publication the book Black Bach or Who’s Afraid of Johann Sebastian? Cultural Values and (Anti)Humanism.
Frédéric Sounac
doaj   +1 more source

An Evening of Baroque Chamber Music, December 11, 1986 [PDF]

open access: yes, 1986
This is the concert program of the Evening of Baroque Chamber Music performance on Thursday, December 11, 1986 at 1986, at the Concert Hall, 855 Commonwealth Avenue. Works performed were Paris Quartet in A major by Georg Philipp Telemann, Sonata No. 1 in
School of Music, Boston University
core  

The Eyes of Johann Sebastian Bach [PDF]

open access: yesArchives of Ophthalmology, 2005
Limited vision seems to have been Johann Sebastian Bach's (1685-1750) only physical problem. Myopia seems the most likely cause and he probably developed cataracts later in life. In addition to the cataracts, his worsening vision may have been due in part to some other eye problem.
openaire   +3 more sources

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