Results 21 to 30 of about 267,431 (300)
John Cage ou les histoires du doute
Transatlantica, 2015 John Cage’s Silence defines experimentalism: it both delineates and practices a theory of experimentalism. It is an aesthetic theory as much as an aesthetic of theory.
Vincent Broqua
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Percussion Ensemble, April 10, 2001 [PDF]
, 2001 This is the concert program of the Percussion Ensemble performance on Tuesday, April 10, 2001 at 8:00 p.m., at Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Towards a theory of experimental music theatre: 'showing doing', 'non-matrixed performance' and 'metaxis' [PDF]
, 2016 Although recent years have seen the emergence of sustained research on experimental music theater, most of this is of a largely descriptive nature. To address the shortcomings of such approaches, this essay outlines a theory of experimental music theater
Heile, Björn
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Advanced Functional Materials, EarlyView.This study introduces VIVID (Vesicle In Vivo Identification using DNA), a qPCR‐based platform that tracks PCR‐amplifiable DNA tags loaded in the EVs for accurate and quantifiable EV biodistribution in vivo. ABSTRACT Extracellular vesicles (EVs) represent promising carriers for nucleic acid therapeutics, offering advantages over synthetic nanoparticles ...
Oscar Boyadjian +5 more
wiley +1 more source
A Contemplação Reconsiderada: artes performativas e investigações da percepção
Conceição/Conception, 2014 Este artigo trata das artes performativas como campo de pesquisa da percepção, abordando as potencialidades do diálogo com tradições contemplativas e o pensamento budista. Para tanto, investiga algumas proposições artísticas de John Cage e Bill Viola.
Cassiano Sydow Quilici
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Boston University Percussion Ensemble, Early Music: The Percussion Ensemble Before 1945, March 3, 2008 [PDF]
, 2008 This is the concert program of the Boston University Percussion Ensemble performance on Monday, March 3, 2008 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were "Living Room Music" by John Cage, "Canticle #1" by Lou Harrison,
School of Music, Boston University
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Advanced Materials, EarlyView.Drawing inspiration from the layered hard‐soft architecture found in sea sponges, this work establishes a new framework for architected cementitious composites (ACC) through multi‐material additive manufacturing (MMAM) process. The integration of mortar and elastomer phases into layered architectures enables synergistic toughening mechanisms, including
Aimane Najmeddine +5 more
wiley +1 more source
Times Arrow Ensemble, December 13, 2006 [PDF]
, 2006 This is the concert program of the Times Arrow Ensemble performance on Wednesday, December 13, 2006 at 8:00 p.m, at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Advanced Materials Interfaces, EarlyView.Zero‐dimensional carbon nanomaterials are presented as multifunctional platforms linking structure, property, and sensing performance. Surface engineering and heteroatom doping modulate electron‐transfer and luminescent behavior, enabling electrochemical, photoluminescent, and electrochemiluminescent detection. Fundamental design principles, analytical
Gustavo Martins +8 more
wiley +1 more source
Musica come divenire. Il paesaggio sonoro secondo John cage [PDF]
lo Squaderno, 2008 John Cage ha dedicato tutta la sua vita all’indagine delle possibilità di relazione dell’uomo con i suoni che lo circondano, allargando il campo dell’arte musicale a quello dell’etica e dell’ecologia.
Francesca Aste
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