Results 31 to 40 of about 267,431 (300)

Boston University Permission Ensemble, March 26, 2010 [PDF]

open access: yes, 2010
This is the concert program of the Boston University Permission Ensemble performance on Friday, March 26, 2010 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Light‐Programmable Interfaces: From Molecular Photoswitching to Adaptive Membrane Separations

open access: yesAdvanced Materials Interfaces, EarlyView.
This review advances an interface‐centered framework for light‐responsive membranes, linking molecular photoswitches (azobenzene (AZO), spiropyran (SP), diarylethene (DAE), donor–acceptor Stenhouse adducts (DASA), photoacid) to integration strategies in polymeric, porous, self‐assembled, and mixed‐matrix systems.
Liangliang Zhang   +6 more
wiley   +1 more source

Machine Learning Accelerates Crystallization for Structure Determination

open access: yesAngewandte Chemie, EarlyView.
Single‐crystal x‐ray diffraction (SCXRD) is often constrained by the difficulty of obtaining suitable crystals. Here, a machine learning‐accelerated co‐crystal discovery workflow is established for a crystalline mate strategy that achieves over 95% prediction accuracy and experimentally delivers 114 co‐crystals from 120 candidates.
Cui‐Zhou Luan   +10 more
wiley   +2 more sources

The Cage Case. Arts and Social Neuroscience

open access: yesFrontiers in Sociology, 2021
A great story told by a musician is the basis of the best stage experimentation of the second half of the 20th century. The musician is John Cage, whose work synthesizes the entire system of arts within the extraordinary world of the avant-garde.
Amendola Alfonso, Jessica Camargo Molano
doaj   +1 more source

Boston University Percussion Ensemble: Blossom and Bell, March 21, 2016 [PDF]

open access: yes, 2016
This is the concert program of the Boston University Percussion Ensemble: Blossom and Bell performance on Monday, March 21, 2016 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Interventions, Productions and Collaborations:the relationship between RAI and visual artists [PDF]

open access: yes, 2015
On 17 May 1952, before RAI Radiotelevisione Italiana Studios began their regular broadcast from Milan, the Spatialist painter and sculptor Lucio Fontana broadcast his own experimental 'artwork' on Italian television, beginning a fruitful relationship ...
Leuzzi, Laura
core   +4 more sources

Vat Polymerization 3D Printing for Controlled Drug Release Applications

open access: yesAdvanced Materials Technologies, EarlyView.
ABSTRACT Vat polymerization (VP) 3D printing, a light‐based additive manufacturing technique, has emerged as a promising technique for fabricating complex drug delivery systems with high precision and spatial resolution. This layer‐by‐layer manufacturing process enables the creation of intricate geometries and customizable architectures, which are ...
Hafiz Busari   +2 more
wiley   +1 more source

Steric Hindrance and Secondary Interactions Govern Reconfiguration Between Two Complex CuI Coordination Cages

open access: yesAngewandte Chemie, EarlyView.
Fine‐tuning steric and C─H···π contacts directs assembly of two CuI cages. An identical naphthylene‐based subcomponent forms a [CuI12L6]12+ pseudo‐hexagonal prism stabilized by 29–32 C─H···π contacts and 12 arene stacking pairs with 6‐methyl‐2‐formylpyridine, whereas the 3‐methyl analog imparts steric clashes, yielding a [CuI8L4]8+ open prism ...
Houyang Xu   +3 more
wiley   +2 more sources

Зрелищно-игровой фольклор и перформанс: точки пересечения

open access: yesВестник музыкальной науки, 2018
За точку отсчета современного перформанса автор избирает знаменитое сочинение американского авангардиста Дж. Кейджа «4’33”», для фортепиано или вольного камерного состава инструментов. Впервые сочинение Кейджа было представлено в августе 1952 г.
Лапин, Виктор Аркадьевич
doaj   +1 more source

Times Arrow, February 26, 2014 [PDF]

open access: yes, 2014
This is the concert program of the Times Arrow performance on Wednesday, February 26, 2014 at 8:30 p.m., at Room 167, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Form 2 (In memory of John Cage) by James Tenney, Four Bagatelles by
School of Music, Boston University
core  

Home - About - Disclaimer - Privacy