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Organizational Communication Approaches to the Works of Joss Whedon
2019In Organizational Approaches to the Works of Joss Whedon, Andrew F. Herrmann offers an in-depth analysis of the connections between communication, organization, gender, discourse, and ethics in the works of Joss Whedon. Herrmann examines how characters go to work in organizations, how characters fight against organizations, and how some organizations ...
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Rethinking Intersemiotic Translation through Cross-Media Adaptation in the Works of Joss Whedon [PDF]
, 2013 This thesis seeks to respond to the existing dearth of work on practical matters of intersemiotic translation in translation studies thus far by turning to other disciplines that have explored comparable phenomena in greater depth. In particular, in the current atmosphere of media convergence and transmedia production, characterized by the ubiquity of ...
Medendorp, Liz
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2014
Although it lasted barely more than a season, Dollhouse continues to intrigue viewers as one of Joss Whedon’s most provocative forays into television. The program centered on men and women who have their memories and personalities repeatedly wiped and replaced with new ones by a shadowy corporation dedicated to “fulfilling the whims of the rich.” This ...
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Although it lasted barely more than a season, Dollhouse continues to intrigue viewers as one of Joss Whedon’s most provocative forays into television. The program centered on men and women who have their memories and personalities repeatedly wiped and replaced with new ones by a shadowy corporation dedicated to “fulfilling the whims of the rich.” This ...
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2017
In this book, Dean Kowalski argues that filmmakers can “do” philosophy when creating a fictional narrative film, and utilizes a careful and extensive analysis of Joss Whedon’s fictive creations—Buffy the Vampire Slayer, Angel, Firefly, Dollhouse, and The Cabin in the Woods (among others)—to establish this thesis.
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In this book, Dean Kowalski argues that filmmakers can “do” philosophy when creating a fictional narrative film, and utilizes a careful and extensive analysis of Joss Whedon’s fictive creations—Buffy the Vampire Slayer, Angel, Firefly, Dollhouse, and The Cabin in the Woods (among others)—to establish this thesis.
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»Folge dem auteur!« Serielle und transmediale Autorenschaft am Beispiel von Joss Whedon
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“To Speak Against an Opponent Eloquently Makes You an Unusual Personage”: Joss Whedon as Deleuzian “Minor Writer” [PDF]
, 2019 No recent television creator, no recent author, has acquired as devoted a cult following as Joss Whedon (Lavery and Burkhead viii). However, Whedon’s position as a cult auteur has been complicated by his integration into Marvel studios via The Avengers ...
Starr, Michael John; id_orcid
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‘Except that Joss Whedon is god’: fannish attitudes to statements of author/ity
International Journal of Cultural Studies, 2014Early internet and fan studies theorists believed the New Media context and work of the active fan would bring theories like the Death of the Author to fruition. Contemporary fan studies scholars are more reserved, acknowledging diversity in fan attitudes.
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