Results 101 to 110 of about 306 (116)

Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon

2011
Edited Collection of essays on music in Buffy the Vampire Slayer, Angel, Firefly, and Dr.
Bach, Jacqueline, Clendenning, Elizabeth A., Halfyard, Janet K., Howell, Amanda, Hung, Eric, Jencson, Linda, Leonard, Kendra, Masson, Cynthea, Middents, Jeffrey, Mills, Matthew, Pelkey II, Stanley C.   +10 more
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Book Review: Joss Whedon

Critical Studies in Television: The International Journal of Television Studies, 2021
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“So Here's Us, On the Raggedy Edge”: Exoticism and Identification in Joss Whedon'sFirefly

Popular Music and Society, 2011
In his short-lived television show Firefly, Joss Whedon created a future clearly rooted in the present through melded Asian and American influences. Since one of Whedon's overriding concerns in his art is identification of and with his characters, Firefly offers a rich tapestry to explore the ways music, particularly non-Western music, is used in ...
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Becoming the Other: Multiculturalism in Joss Whedon’s Angel

2007
Cult television series like Joss Whedon’s Angel offer veiled social commentary, depicting everyday issues as otherworldly threats. Free from the constraints of verisimilitude, the genre of the fantastic undermines the boundaries and categories structuring understanding, disguising and dramatising social conflict within a discourse of heroism and ...
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‘I’m a Monster. What I Do Is Evil’: Monsters and Evil in Joss Whedon’s Firefly and Serenity

2014
I will argue that although there are many human ‘monsters’ in Whedon’s Firefly, not all are evil – nor are all of the evil characters ‘monstrous.’ By separating the monstrous from evil, I will be able to more closely define the limits of each, and consider whether the evil characters are the post-human Reavers, or the human villains.
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Book Review: Joss Whedon, A Creative Portrait: From Buffy the Vampire Slayer to Marvel’s The Avengers, Reading Joss Whedon

Critical Studies in Television: The International Journal of Television Studies, 2016
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Joss Whedon,Dr. Horrible, and the Future of Web Media

Popular Communication, 2013
Tama Leaver
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Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon

American Music, 2013
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“So Here's Us, On the Raggedy Edge”: Exoticism and Identification in Joss Whedon's Firefly

Popular Music and Society, 2011
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Avenging American Arrogance: Joss Whedon’s Filmic Post 9/11 Superheroes in The Avengers (2012)

Revue Francaise D'Etudes Americaines, 2015
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