Results 11 to 20 of about 1,102 (110)

Kaija Saariaho, compositrice, ou quand devient-on un compositeur classique ? [PDF]

open access: yesÉtudes finno-ougriennes, 2013
La serie de concerts organises du 17 au 23 avril 2013 par la Cite de la musique, sous l’appellation « Domaine prive », autour de la compositrice Kaija Saariaho et de son œuvre, a ete un evenement important de la vie musicale francaise, plus particulierement parisienne et franco-finlandaise.
openaire   +3 more sources

The Music Room: Betty Freeman's Musical Soirées [PDF]

open access: yes, 2018
For over ten years, Los Angeles arts patron Betty Freeman (1921–2009) welcomed composers, performers, scholars, patrons, and invited guests into her home for a series of monthly musicales that were known as ‘Salotto’. In this article, I analyse Freeman’s
Jake Johnson
core   +1 more source

Interpretation of the Genre in Kaija Saariaho’s Opera Innocence

open access: yesProblemy muzykal'noi nauki / Music Scholarship, 2023
The idea of a renewal of the genre of opera has found its brilliant manifestation in numerous works written by some of the outstanding composers of our time: John Adams, Louis Andriessen, Tan Dun, Steve Reich, Philip Glass, John Cage, Kaija Saariaho and many others.
Elena V. Kiseyeva, Emma S. Korotkiyeva
openaire   +1 more source

X Marks Nothing: Chiasmus and Kenosis in Kaija Saariaho\u27s La Passion de Simone [PDF]

open access: yes, 2022
Composer Kaija Saariaho’s 2006 work La Passion de Simone often leaves audiences and critics at a loss to understand what they have witnessed. The title, subject, and sparse libretto only complicate this confusion.
Scarambone, Desiree
core   +1 more source

Kaija Saariaho and Her Laterna Magica

open access: yesVestnik of Saint Petersburg University. Arts, 2021
Nowadays Kaija Saariaho is one of the most successful composers in the field of contemporary classical music. A former student of Tristan Murail, she works in the direction initiated by socalled spectral composition, composing extremely colourful and poetic pieces that are highly appreciated by music critics.
openaire   +2 more sources

Guest Artist Series: Mario Caroli, flute, February 24, 2015 [PDF]

open access: yes, 2015
This is the concert program of the Guest Artist Series: Mario Caroli, flute performance on Tuesday, February 24, 2015 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
core  

ALEA III, The Low C's, April 23, 2014 [PDF]

open access: yes, 2014
This is the concert program of the ALEA III, The Low C's performance on Wednesday, April 23, 2014 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Musical Ekphrasis and the Prospects of Intermedial Research

open access: yesRussian Musicology
Amid the expansion of analytical approaches in modern art history analytics, musicologists are increasingly turning to the concept of “intermediality”. As distinguished from the concept of “intertextuality” in art history contexts (Aage Hansen-Löve, Ivan
Tatiana V. Tsaregradskaya
doaj   +1 more source

Extended methods of notation in Josh Levine's Les yeux ouverts and Daniel Tacke's Einsamkeit [PDF]

open access: yes, 2015
Master's Project (M.Mu.) University of Alaska Fairbanks ...
Dowgray, Sean
core  

Jardín japonés en Six Japanese Gardens de Kaija Saariaho

open access: yesQuodlibet. Revista de Especialización Musical, 2021
La obra Six Japanese Gardens (1994) de la compositora finlandesa Kaija Saariaho (1952) es el objeto de estudio de esta investigación como obra significativa no solo en la producción de su autora sino también como visión finisecular de la aplicación de principios estéticos japoneses en obras musicales occidentales.
openaire   +3 more sources

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