Results 71 to 80 of about 135 (123)
Some of the next articles are maybe not open access.
The art of creating a Kathakali performer’s ‘Presence’
Theatre, Dance and Performance Training, 2015This paper examines Kathakali performer training practices. It looks at the craft of creating a Kathakali performer’s embodied ‘Presence’ on stage. This ‘Presence’ is created by integrating the physical and emotional elements of the performer’s embodied being. The paper focuses on one important element of the Kathakali aesthetic – bhava – and critiques
exaly +3 more sources
Kathakali: The Quintessential Classical Theatre of Kerala
Cultura International Journal of Philosophy of Culture and Axiology, 2016Krishna Praveen, V. Anitha Devi
exaly +2 more sources
Kathakali Mudras: An AI-Enhanced Predictive Approach
2024 11th International Conference on Soft Computing & Machine Intelligence (ISCMI)K Janani
exaly +2 more sources
The Tulane Drama Review, 1967
On the southern coast of India, the three-hundred-year-old Kathakali ritual theatre still flourishes, a mixture of dance and pantomime, religious inspiration and mythological tradition. This essay is neither an aesthetic analysis of Kathakali nor a study of its origins or its relationship to other forms of Indian theatre, for my main purpose in ...
openaire +1 more source
On the southern coast of India, the three-hundred-year-old Kathakali ritual theatre still flourishes, a mixture of dance and pantomime, religious inspiration and mythological tradition. This essay is neither an aesthetic analysis of Kathakali nor a study of its origins or its relationship to other forms of Indian theatre, for my main purpose in ...
openaire +1 more source
Who Wears the Skirts in Kathakali?
TDR (1988-), 1991It was festival time at the local temple near the important commercial town of Kottayam in southern Kerala. The temple's fanciful structures were dressed in a profusion of multicolored lights. A few hundred people milled around in this gay atmosphere. After a rain delay, the spectators settled in for the all-night outdoor kathakali program.
Diane Daugherty, Marlene Pitkow
openaire +1 more source
Affective Communication in Kathakali Performance
International Journal of Art and DesignThis study delves into investigating the extent of individual differences in expressiveness among Kathakali actors participating in the Red Beard Festival. The research employs Howard S. Friedman's Affective Communication Test (ACT), a self-report measure specifically designed to assess variations in individual expressiveness among Kathakali actors ...
Vishnu Achutha Menon, N Boobalakrishnan
openaire +1 more source
Kathakali: Kottayam Plays (review)
Asian Theatre Journal, 2004KATHAKALI: KOTTAYAM PLAYS. International Video Edition (DVD). A Vedika Presentation. E-mail: . Web site: . Recording format: Beta. Complete set of four plays (9 DVDs): $400. Individual plays: $100 each. Plays: Baka Vadham (The killing of Baka); Kirmira Vadham (The killing of Kirmira); Kalyana Saugandhikam (The auspicious flower); Kalakeya Vadham (The ...
openaire +1 more source
Charudattam (Kathakali Julius Caesar) (review)
Asian Theatre Journal, 2011CHARUDATTAM (KATHAKALI JULIUS CAESAR). Adapted and composed by Sadanam Harikumaran. Sadanam Kathakali Academy, Kerala, India, 17 January 2010. Since its premiere at the National Drama Festival in 2001, Sadanam Harikumaran's kathakali adaptation of Julius Caesar, Charudattam has been performed over two dozen times, in and outside Kerala, but still to ...
openaire +1 more source
The Intercultural Experience and the Kathakali ‘King Lear’
New Theatre Quarterly, 1993The idea of merging western and Indian performing traditions through the performance of King Lear by a Kathakali company promised to be a viable experiment in intercultural practice – yet it proved entirely alien to Indian audiences initiated in Kathakali, and baffling when brought before the cosmopolitan throngs of the Edinburgh Festival. Here, Suresh
openaire +1 more source