Results 11 to 20 of about 3,341 (184)

Cinematic experience, film space, and the child’s world [PDF]

open access: yes, 2010
This is the full published version of this article as first published in the Canadian Journal of Film Studies, 2010, 19 (2) 82-98.
KUHN, AF
core   +1 more source

Heidegger’in Felsefi Hermenötiği Açısından Abbas Kiarostami’nin Sanatını Okumak

open access: yesARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi, 2020
Heidegger’in estetiğe karşı bir eleştiri olarak geliştirdiği sanat felsefesi, sanat eserinin hakikatle kopmuş olan bağı üzerine düşünür ve sanat eserinin kökenini araştırırken, hermenötiği kullanarak şiire ulaşır.
Seyed Mehdi Seyed Saadati
doaj   +1 more source

Abbas Kiarostami ou l’épreuve de la finitude [PDF]

open access: yes, 2007
L’oeuvre de Kiarostami, entièrement travaillée par les événements du seuil, interroge la figuration des marges. Le vent nous emportera et Le goût de la cerise retracent les moments liés au funeste, ce temps improbable aux confins de la vie crépusculaire.
Milly, Julien
core   +1 more source

A aura na era do seu anunciado declínio: Em torno de Cópia fiel, de Abbas Kiarostami

open access: yesViso, 2019
As linhas que se seguem debruçam-se sobre um filme recente do realizador iraniano Abbas Kiarostami, Cópia fiel (2010), e nele mergulham para reflectir, de uma perspectiva contemporânea, sobre as noções de cópia, de ficção, de simulacro e, em certa medida
João Pedro Cachopo
doaj   +1 more source

Abbas Kiarostami and Film-Philosophy, by Mathew Abbott

open access: yesAlphaville: Journal of Film and Screen Media, 2018
Mathew Abbott’s book, beautifully adorned with a now iconic still from The Wind Will Carry Us (Bād mā rā khāhad bord, 1999), explores the late Iranian filmmaker Abbas Kiarostami’s later films through the framework of film-as-philosophy.
Kelly Houck
doaj   +1 more source

Más allá del camino en zigzag. ¿Dónde ésta la casa de mi amigo? (Abbas Kiarostami, 1987), treinta años después / Beyond the Zigzag Path. Where is the Friend’s Home? (A. Kiarostami, 1987), Thirty Years Later

open access: yesSecuencias, 2017
La mayoría de los textos escritos a propósito de ¿Dónde está la casa de mi amigo? (Janeh-ye dust koyast, Abbas Kiarostami, 1987) han remarcado un aspecto metafísico de la película.
Farshad Zahedi
doaj   +1 more source

Abbas Kiarostami, uma poética da incerteza

open access: yesComunicação & Educação, 2023
Este artigo tematiza alguns aspectos da poesia do artista e intelectual iraniano Abbas Kiarostami. Além de ser poeta, representante de uma longa tradição poética persa, ele também foi cineasta e fotógrafo, havendo forte vínculo e diálogo entre sua ...
Arlindo Rebechi Junior
doaj  

To See or Not to See: A Wittgensteinian Look at Abbas Kiarostami's Close-up

open access: yesFilm-Philosophy, 2018
Ludwig Wittgenstein's notion of aspect-seeing, and Stanley Cavell's notion of aspect-blindness, allow us to situate Abbas Kiarostami's quasi-documentary Close-Up (1990) as a radical revision of the genre that fundamentally challenges our assumptions ...
Elizabeth Hope Finnegan
doaj   +1 more source

Dialectic of Revelation and Concealment: A Representation of the Face as an Aesthetic Landscape in the Film Shirin (2008) [PDF]

open access: yesهنر و تمدن شرق
In Shirin (2008), Abbas Kiarostami places several of Iran’s female cinema stars in the position of spectators and records their reactions to a hypothetical film through predominantly close-up shots.
Alireza Sayyad, Javad Nematollahi
doaj   +1 more source

The Effectiveness of Music Training in Cognitive Flexibility, Empathy and Aggression of Adolescents [PDF]

open access: yesIranian Evolutionary Educational Psychology Journal, 2022
According to the studies, music has some promoting effects on mood, development empathy and social understanding. The aim of this study was to examine the effectiveness of music training in adolescents' cognitive flexibility, empathy and aggression.
Aida Kiarostami   +2 more
doaj  

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