Results 31 to 40 of about 1,497 (182)

Visual Images of the Frontier: Tyva and Tuvans in the Expedition Photographs of P. E. Ostrovskikh (1897) in the collection of MAE RAS (the Kunstkamera)

Journal of Frontier Studies
This paper examines a collection of photographic negatives taken by Russian ethnographer P. E. Ostrovskikh during his 1897 expedition to the Uryankhai region, currently housed in the Museum of Anthropology and Ethnography of the Russian Academy of ...
Natalia А. Chernyaeva
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The First Catalogues of the Anatomical Collection of the Kunstkamera [PDF]

Kunstkamera
The first catalogues of the Kunstkamera museum collection after the museum was moved to a new building on Vasilievsky Island were created by professors and adjuncts of the Academy of Sciences founded in 1724.
Natalya Kopaneva
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Maintaining genetic integrity of coexisting wild and domestic populations: Genetic differentiation between wild and domestic Rangifer with long traditions of intentional interbreeding. [PDF]

Ecol Evol, 2017
The funding for the fieldwork and laboratory work for this study was provided by the ERC Advanced Grant 295458 Arctic Domus (PI D.G. Anderson). The writing and analysis was supported by ESRC ES-M0110548-1 JPI HUMANOR (PI D.G. Anderson).
Anderson DG, Kvie KS, Davydov VN, Røed KH.   +3 more
europepmc   +3 more sources

Manuscript of Е. D. Prokofieva “Fishing of the Taz-Turukhansk Selkups” from the Archive of the Museum of Anthropology and Ethnography (Kunstkamera) of the Russian Academy of Sciences as a Source on the History and Ethnography of Siberia: 1920s–60s [PDF]

Herald of an Archivist, 2021
In the archive of the Museum of Anthropology and Ethnography (Kunstkamera) of the Russian Academy of Sciences, in the collection of famous ethnographers and researchers of Siberia, employees of the MAE RAS G.N. Prokofiev and E.D.
O. B. Stepanova
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Kunstkamera Jana Švankmajera, czyli wszystkie rzeczy wszystko znaczą

Ogrody Nauk i Sztuk, 2019
Teza. Kunstkamera Jana Švankmajera to projekt o skomplikowanym układzie znaczeń, którego nie można jednoznacznie przyporządkować do jednej kategorii w kontekście teorii Krzysztofa Pomiana o semioforach. Omówione koncepcje. Artykuł opisuje artystyczny projekt kunstkamery czeskiego surrealisty Jana Švankmajera w kontekście teorii semioforów Krzysztofa ...
Anna Brzezińska
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Uma análise da coleção de desenhos etnográficos do Museu Kunstkamera de São Petersburgo

Tessituras: Revista de Antropologia e Arqueologia, 2019
A coleção on line de desenhos etnográficos do Museu Kunstkamera de São Petersburgo conta com cerca de 900 desenhos produzidos por exploradores, naturalistas e etnográfos russos feitos entre os séculos XIX e XX. Permitindo diversas abordagens, a análise aqui proposta busca perceber “o que” e “como” os autores desenhavam.
Aina Azevedo
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Sculptural Representations of Bodhisattvas Manjushri and Vajrapani from Mainland East Asia in the Kunstkamera Collections (Iconographic Aspect)

Kunstkamera
The first section of the article is devoted to the results of the study of the iconographic forms of depictions of Manjushri from China and Mongolia from the collections that were received by the Kunstkamera throughout its 300-year history. Twelve bronze
Elena Ivanova
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“Indonesia” Display in the Museum of Anthropology and Ethnography (Kunstkamera): Cultures of Sumatra (1889–2023) [PDF]

Kunstkamera
The article offers a review of the “Indonesia” display of the Museum of Anthropology and Ethnography (Kunstkamera) of the Russian Academy of Sciences at the brink of its dissolution in 2023.
Aglaia Iankovskaia
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Materials for Studying Traditional Karelian Culture in the Collection of the Peter the Great Museum of Anthropology and Ethnography (the Kunstkamera) of the Russian Academy of Sciences: Collections and Collectors

Texts and History: Journal of Philological, Historical and Cultural Texts and History Studies, 2021
The Kunstkamera, founded by Peter the Great as a collection of various rarities in St. Petersburg in 1714, over the time acquired rich collections of ethnographic materials from different parts of the world and became the largest depository of artifacts ...
Aleksandr I. Teriukov
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Kunstkamera, Schumacher and the Academic Regulations of 1747

Kunstkamera
Traditionally, the Kunstkamera is defined as a scientific and auxiliary institution (“laboratory”) of the Academy of Sciences, coming from the “Draft Regulations on the Establishment of the Academy of Sciences and Arts”.
Natalia Kopaneva
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